Birgit M. Kaiser is Professor of Comparative Literature at Utrecht University, the Netherlands. She has been a visiting researcher at the Department of Philosophy of the University of Paris-Nanterre (April/May 2017) and at the Department of Women's, Gender and Sexuality Studies at The Ohio State University, USA. She is co-editor - with Lorna Burns - of Postcolonial Literatures and Deleuze (2012) and editor of Singularity and Transnational Poetics (2015) and is author of Figures of Simplicity (2011) and - with Kathrin Thiele - Diffracted Worlds - Diffractive Readings (2018).

• Table of Contents IntroductionPart I: VoiceChapter 1: Auto-Writing: On Voice in Hélène Cixous Chapter 2: Making Voice: Superposition or the Chorus that “I” is (Reading Cixous with Barad and Trinh) Part II: Feminine WritingChapter 3: Losing Voice: Medusa’s Head and Dora’s Throat (Cixous Reading Freud) Chapter 4: Ec(h)ological Writing X Écriture Féminine (Reading Cixous with Kirby) Part III: EchologyChapter 5: Primal Scenes: A German-French-Jewish-Algerian Diffraction (Reading Cixous with Derrida and Fanon) Chapter 6: Algerian Pas de Deux: Entanglement and the Almost Inaudible Echoes of Lions (Cixous Reading Abdessemed) Bibliography

The book that Anglophone audiences have been waiting for, Hélène Cixous’s Poetics of Voice develops a meticulous and elegant ‘echology’ that offers acute insight into Cixous’s extensive oeuvre. Sallying back and forth across her work, Kaiser details precise connections with a wider field of international scholarship. Savour it.

Birgit M. Kaiser is Professor of Comparative Literature at Utrecht University, the Netherlands. She has been a visiting researcher at the Department of Philosophy of the University of Paris-Nanterre (April/May 2017) and at the Department of Women's, Gender and Sexuality Studies at The Ohio State University, USA. She is co-editor - with Lorna Burns - of Postcolonial Literatures and Deleuze (2012) and editor of Singularity and Transnational Poetics (2015) and is author of Figures of Simplicity (2011) and - with Kathrin Thiele - Diffracted Worlds - Diffractive Readings (2018).

• Table of Contents IntroductionPart I: VoiceChapter 1: Auto-Writing: On Voice in Hélène Cixous Chapter 2: Making Voice: Superposition or the Chorus that “I” is (Reading Cixous with Barad and Trinh) Part II: Feminine WritingChapter 3: Losing Voice: Medusa’s Head and Dora’s Throat (Cixous Reading Freud) Chapter 4: Ec(h)ological Writing X Écriture Féminine (Reading Cixous with Kirby) Part III: EchologyChapter 5: Primal Scenes: A German-French-Jewish-Algerian Diffraction (Reading Cixous with Derrida and Fanon) Chapter 6: Algerian Pas de Deux: Entanglement and the Almost Inaudible Echoes of Lions (Cixous Reading Abdessemed) Bibliography

The book that Anglophone audiences have been waiting for, Hélène Cixous’s Poetics of Voice develops a meticulous and elegant ‘echology’ that offers acute insight into Cixous’s extensive oeuvre. Sallying back and forth across her work, Kaiser details precise connections with a wider field of international scholarship. Savour it.

Birgit M. Kaiser is Professor of Comparative Literature at Utrecht University, the Netherlands. She has been a visiting researcher at the Department of Philosophy of the University of Paris-Nanterre (April/May 2017) and at the Department of Women's, Gender and Sexuality Studies at The Ohio State University, USA. She is co-editor - with Lorna Burns - of Postcolonial Literatures and Deleuze (2012) and editor of Singularity and Transnational Poetics (2015) and is author of Figures of Simplicity (2011) and - with Kathrin Thiele - Diffracted Worlds - Diffractive Readings (2018).

• Table of Contents IntroductionPart I: VoiceChapter 1: Auto-Writing: On Voice in Hélène Cixous Chapter 2: Making Voice: Superposition or the Chorus that “I” is (Reading Cixous with Barad and Trinh) Part II: Feminine WritingChapter 3: Losing Voice: Medusa’s Head and Dora’s Throat (Cixous Reading Freud) Chapter 4: Ec(h)ological Writing X Écriture Féminine (Reading Cixous with Kirby) Part III: EchologyChapter 5: Primal Scenes: A German-French-Jewish-Algerian Diffraction (Reading Cixous with Derrida and Fanon) Chapter 6: Algerian Pas de Deux: Entanglement and the Almost Inaudible Echoes of Lions (Cixous Reading Abdessemed) Bibliography

The book that Anglophone audiences have been waiting for, Hélène Cixous’s Poetics of Voice develops a meticulous and elegant ‘echology’ that offers acute insight into Cixous’s extensive oeuvre. Sallying back and forth across her work, Kaiser details precise connections with a wider field of international scholarship. Savour it.