Constant J. Mews is Director of the Centre for Religious Studies, Monash University in Victoria, Australia. John N. Crossley is a Professor Emeritus at Monash University. Catherine Jeffreys is an Adjunct Research Associate at Monash University. Carol J. Williams is a Senior Lecturer at Monash University, specializing in medieval music.

• AcknowledgmentsAbbreviationsIntroductionOutline of the Tractatus de tonisTractatus de tonis: Text and TranslationAppendices1. Deleted material2. Explanatory material3. Chant sources and concordancesWorks CitedManuscript sourcesPrimary sourcesSecondary sourcesLexiconGlossaryOnomastic Index

"This important publication increases the accessibility of a less-well-known medieval treatise on music theory devoted to the Gregorian chant repertoire for Mass and Office. [...] This welcome new edition and English translation of the Tractatus by a team of Australian scholars introduces the treatise by identifying the sources of Guy's teaching, sketching the history of his abbey in the late thirteenth and early fourteenth centuries, and exploring the treatise's relationship to the Cistercian and Dominican chant traditions." Joseph Dyer, The Medieval Review 18.03.18

Constant J. Mews is Director of the Centre for Religious Studies, Monash University in Victoria, Australia. John N. Crossley is a Professor Emeritus at Monash University. Catherine Jeffreys is an Adjunct Research Associate at Monash University. Carol J. Williams is a Senior Lecturer at Monash University, specializing in medieval music.

• AcknowledgmentsAbbreviationsIntroductionOutline of the Tractatus de tonisTractatus de tonis: Text and TranslationAppendices1. Deleted material2. Explanatory material3. Chant sources and concordancesWorks CitedManuscript sourcesPrimary sourcesSecondary sourcesLexiconGlossaryOnomastic Index

"This important publication increases the accessibility of a less-well-known medieval treatise on music theory devoted to the Gregorian chant repertoire for Mass and Office. [...] This welcome new edition and English translation of the Tractatus by a team of Australian scholars introduces the treatise by identifying the sources of Guy's teaching, sketching the history of his abbey in the late thirteenth and early fourteenth centuries, and exploring the treatise's relationship to the Cistercian and Dominican chant traditions." Joseph Dyer, The Medieval Review 18.03.18

Constant J. Mews is Director of the Centre for Religious Studies, Monash University in Victoria, Australia. John N. Crossley is a Professor Emeritus at Monash University. Catherine Jeffreys is an Adjunct Research Associate at Monash University. Carol J. Williams is a Senior Lecturer at Monash University, specializing in medieval music.

• AcknowledgmentsAbbreviationsIntroductionOutline of the Tractatus de tonisTractatus de tonis: Text and TranslationAppendices1. Deleted material2. Explanatory material3. Chant sources and concordancesWorks CitedManuscript sourcesPrimary sourcesSecondary sourcesLexiconGlossaryOnomastic Index

"This important publication increases the accessibility of a less-well-known medieval treatise on music theory devoted to the Gregorian chant repertoire for Mass and Office. [...] This welcome new edition and English translation of the Tractatus by a team of Australian scholars introduces the treatise by identifying the sources of Guy's teaching, sketching the history of his abbey in the late thirteenth and early fourteenth centuries, and exploring the treatise's relationship to the Cistercian and Dominican chant traditions." Joseph Dyer, The Medieval Review 18.03.18