Del 29 - Lieven Gevaert Series

Gust of Photo-Philia

Photography in the Art Museum

Häftad, Engelska, 2020

489 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

The first transnational history of photography’s accommodation in the art museumPhotography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Produktinformation

Utgivningsdatum2020-12-17
Mått170 x 230 x 20 mm
Vikt1 017 g
FormatHäftad
SpråkEngelska
SerieLieven Gevaert Series
Antal sidor332
FörlagLeuven University Press
ISBN9789462702424

Tillhör följande kategorier

Preface Acknowledgments Introduction A Foot in the Museum’s Door A Gust of Photo-Philia The Question of the Medium The Structure of the Book 1. Photography Itself What is “Camera Esthetics”? A “Universal” Language Photography Itself “More Than One Photography” New Stories of Modern Art Navigating an “Ocean of Images” 2. The Art(s) of Photography Art Education for “All Classes” A Collection for the Art of Photography Between Form and Function Toward the “Bigger Picture” Pluralism and Participation 3. Art as Photography, Photography as Art Art as Photography The Unique Original Copy Who’s Afraid of Contemporary Art? A Photo-Philic Turn Embracing the Vernacular Photographies and Histories Engaging New Audiences 4. Postmedia Pictures A “Postmedia” Collection in the Making A Global Museum Hybrid Images Accommodating the “Polymorphous” Photographic A New Poetics of the Photographic Image 5. Between Images Photography and the French State A Postmodern Museum A Collection for the Nation Episode 1: Plasticity and Hybridity Episode 2: Passages Between Media Episode 3: What is (Museum) Photography After All? Postscript Notes Bibliography

Mit Alexandra Moschovis 'A Gust of Photo-Philia' liegt nun zum ersten Mal eine breit angelegte systematische Rekonstruktion dieser Ereignisse vor. Genau wie Grundberg konzentriert sich auch Moschovi auf das künstlerische Feld der Fotografie, im Unterschied zu ihm öffnet sie den Radius ihres Interesses aber weit über Manhattan hinaus: In fünf ausgedehnten Fallstudien, die je ein Kapitel des Buches ausmachen, zeichnet sie die Entwicklungen in fünf international renommierten Ausstellungshäusern nach: Neben dem MoMA und dem Guggenheim Museum in New York sind dies das Victoria and Albert und die Tate in London sowie das Musée National d’Art Modern im Pariser Centre Pompidou.Steffen Siegel, Bd. 3 Nr. 4 (2022): 21: Inquiries into Art, History, and the Visual. Beiträge zur Kunstgeschichte und visuellen Kultur, https://doi.org/10.11588/xxi.2022.4.91686

Mer från samma serie

Philosophy of Photography

Henri Van Lier

Häftad

189 kr

Minor Photography

Mieke Bleyen

Häftad

539 kr

Aim Duelle Luski and Horizontal Photography

Ariella Azoulay

Häftad

539 kr

Minor Aesthetics

Mieke Bleyen

Häftad

1 109 kr

Allan Sekula

Hilde Van Gelder, Art and Visual Culture.) Van Gelder, Hilde (KU Leuven and Lieven Gevaert Research Centre for Photography, Hilde van Gelder

Häftad

629 kr

Photofilmic

Brianne Cohen, Alexander Streitberger, and Visual Culture) Streitberger, Alexander (Professor of Modern and Contemporary Art History, UCLouvain & Lieven Gevaert Research Centre for Photography, Art

Häftad

1 109 kr