Alexander Streitberger is professor of art history at the UCLouvain. Hilde Van Gelder is professor of modern and contemporary art history at the KU Leuven and co-director of the Lieven Gevaert Research Centre for Photography, Art and Visual Culture.

• Acknowledgements Alexander Streitberger and Hilde Van Gelder, Introduction W.J.T. Mitchell, Planetary Madness: Globalizing the Ship of FoolsPart 1. Collecting Folly Bart De Baere and Anja Isabel Schneider, Allan Sekula: TheDouble Helix of an Activist Stance and of Curating Stefanie Diekmann, The Stuff in the Studio: On Chris Larson’sLand Speed Record (2016) Ronnie Close, Reframing the Aesthetics of Censorship Edwin Carels, An Archive of Intensities: Vava’s Video Barbara Baert, Mining Allan Sekula: Four ExercisesPart 2. Maritime Failures and Imaginaries Marco Poloni, The Land Seen by the Sea Clara Masnatta, Senses at Sea: For an Amphibian Cinema Jonathan Stafford, Breaking Open the Container: The LogisticalImage and the Specter of Maritime Labor Carles Guerra and Hilde Van Gelder, “Do not Trespass.”An Interview Conversation on the Genesis of Allan Sekula’s BlackTide/Marea negra (2002–03)Part 3. Critical Realism in Dialogue Alexander Streitberger, “Cultural work as a Praxis.”The Artist as Producer in the Work of Victor Burgin, Martha Rosler,and Allan Sekula Stephanie Schwartz, The Face of Protest Anthony Abiragi, Reading Against the Grain: Allan Sekula and theRhetoric of Exemplarity Benjamin J. Young, “Decolonize This Place”: Realism andHumanism in Photography of Israel-PalestineAbout the Authors A Note on Allan Sekula’s Life A Note on Allan Sekula’s Works Discussed in the Present Volume Plates

Burlington Contemporary, Marie Muracciole, 12.03.2021

Alexander Streitberger is professor of art history at the UCLouvain. Hilde Van Gelder is professor of modern and contemporary art history at the KU Leuven and co-director of the Lieven Gevaert Research Centre for Photography, Art and Visual Culture.

• Acknowledgements Alexander Streitberger and Hilde Van Gelder, Introduction W.J.T. Mitchell, Planetary Madness: Globalizing the Ship of FoolsPart 1. Collecting Folly Bart De Baere and Anja Isabel Schneider, Allan Sekula: TheDouble Helix of an Activist Stance and of Curating Stefanie Diekmann, The Stuff in the Studio: On Chris Larson’sLand Speed Record (2016) Ronnie Close, Reframing the Aesthetics of Censorship Edwin Carels, An Archive of Intensities: Vava’s Video Barbara Baert, Mining Allan Sekula: Four ExercisesPart 2. Maritime Failures and Imaginaries Marco Poloni, The Land Seen by the Sea Clara Masnatta, Senses at Sea: For an Amphibian Cinema Jonathan Stafford, Breaking Open the Container: The LogisticalImage and the Specter of Maritime Labor Carles Guerra and Hilde Van Gelder, “Do not Trespass.”An Interview Conversation on the Genesis of Allan Sekula’s BlackTide/Marea negra (2002–03)Part 3. Critical Realism in Dialogue Alexander Streitberger, “Cultural work as a Praxis.”The Artist as Producer in the Work of Victor Burgin, Martha Rosler,and Allan Sekula Stephanie Schwartz, The Face of Protest Anthony Abiragi, Reading Against the Grain: Allan Sekula and theRhetoric of Exemplarity Benjamin J. Young, “Decolonize This Place”: Realism andHumanism in Photography of Israel-PalestineAbout the Authors A Note on Allan Sekula’s Life A Note on Allan Sekula’s Works Discussed in the Present Volume Plates

Burlington Contemporary, Marie Muracciole, 12.03.2021

Alexander Streitberger is professor of art history at the UCLouvain. Hilde Van Gelder is professor of modern and contemporary art history at the KU Leuven and co-director of the Lieven Gevaert Research Centre for Photography, Art and Visual Culture.

• Acknowledgements Alexander Streitberger and Hilde Van Gelder, Introduction W.J.T. Mitchell, Planetary Madness: Globalizing the Ship of FoolsPart 1. Collecting Folly Bart De Baere and Anja Isabel Schneider, Allan Sekula: TheDouble Helix of an Activist Stance and of Curating Stefanie Diekmann, The Stuff in the Studio: On Chris Larson’sLand Speed Record (2016) Ronnie Close, Reframing the Aesthetics of Censorship Edwin Carels, An Archive of Intensities: Vava’s Video Barbara Baert, Mining Allan Sekula: Four ExercisesPart 2. Maritime Failures and Imaginaries Marco Poloni, The Land Seen by the Sea Clara Masnatta, Senses at Sea: For an Amphibian Cinema Jonathan Stafford, Breaking Open the Container: The LogisticalImage and the Specter of Maritime Labor Carles Guerra and Hilde Van Gelder, “Do not Trespass.”An Interview Conversation on the Genesis of Allan Sekula’s BlackTide/Marea negra (2002–03)Part 3. Critical Realism in Dialogue Alexander Streitberger, “Cultural work as a Praxis.”The Artist as Producer in the Work of Victor Burgin, Martha Rosler,and Allan Sekula Stephanie Schwartz, The Face of Protest Anthony Abiragi, Reading Against the Grain: Allan Sekula and theRhetoric of Exemplarity Benjamin J. Young, “Decolonize This Place”: Realism andHumanism in Photography of Israel-PalestineAbout the Authors A Note on Allan Sekula’s Life A Note on Allan Sekula’s Works Discussed in the Present Volume Plates

Burlington Contemporary, Marie Muracciole, 12.03.2021