Generation Stalin

Andrew Sobanet teaches French literature, film, and culture at Georgetown University in Washington, DC. He is author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction and Associate Editor of Contemporary French Civilization.

• AcknowledgmentsIntroduction1. Henri Barbusse and Stalin's Official Biography2. Romain Rolland and the Politics of Terror3. Paul Eluard and Stalin's 70th Birthday4. Louis Aragon and the Great Patriotic WarConclusionWorks CitedIndex

"This is an outstanding work of intellectual history. . . . Highly recommended."—Choice"Generation Stalin is a landmark study, brilliantly written, containing exemplary scholarship. Sobanet establishes himself with this volume as one of the foremost interpreters of French intellectual life. He brings to his study a cornucopia of historical knowledge and the finesse of a first-class literary critic."—Lawrence D. Kritzman, editor of The Columbia History of Twentieth-Century French Thought"This is an ambitious project that is well executed, with a readership that is potentially far reaching—with implications for Russian/Stalin studies, French studies, including politics and society, as well as propaganda writing and the role of the media more generally. . . . Generation Stalin is a very timely book."—Denis M. Provencher, author of Queer French: Globalization, Language, and Sexual Citizenship in France"Andrew Sobanet's study of 'Generation Stalin' and the four writers he associates with the group, Henri Barbusse, Romain Rolland, Paul Eluard, and Louis Aragon, is, quite simply, magisterial. Written in lucid prose informed by meticulous and wide-ranging scholarship including archival material, books, essays, press items, and other relevant documents, the book provides an in-depth study of the rise of the Stalin cult in France."—Carol J. Murphy, author of The Allegorical Impulse in the Works of Julien Gracq: History as Rhetorical Enactment in "Le Rivage des Syrtes" and "Un Balcon en forêt""Generation Stalin offers a pathbreaking new perspective on an under-examined (or until now misexamined) convergence of twentieth-century French culture and politics."—H-France