David Wootton is Anniversary Professor of History, University of York.

"In a quiverful of publications, David Wootton has made it his mission to help us view the Renaissance thought-world in new ways, and this elegant biography does not disappoint. The Galileo he portrays is no saint, either Catholic or secular, but is the more fascinating for revealing the great scientist's selfishness, anxiety and political ineptitude, together with all the intellectual blind alleys taken in struggles towards his eventual goal. Wootton vividly contrasts the religious and political claustrophobia of seventeenth-century Italy with the abstract beauty of the mathematics and geometry which so delighted his subject. This is an absorbing study worthy of the life-story it tells.”—Diarmaid MacCulloch

David Wootton is Anniversary Professor of History, University of York.

"In a quiverful of publications, David Wootton has made it his mission to help us view the Renaissance thought-world in new ways, and this elegant biography does not disappoint. The Galileo he portrays is no saint, either Catholic or secular, but is the more fascinating for revealing the great scientist's selfishness, anxiety and political ineptitude, together with all the intellectual blind alleys taken in struggles towards his eventual goal. Wootton vividly contrasts the religious and political claustrophobia of seventeenth-century Italy with the abstract beauty of the mathematics and geometry which so delighted his subject. This is an absorbing study worthy of the life-story it tells.”—Diarmaid MacCulloch

David Wootton is Anniversary Professor of History, University of York.

"In a quiverful of publications, David Wootton has made it his mission to help us view the Renaissance thought-world in new ways, and this elegant biography does not disappoint. The Galileo he portrays is no saint, either Catholic or secular, but is the more fascinating for revealing the great scientist's selfishness, anxiety and political ineptitude, together with all the intellectual blind alleys taken in struggles towards his eventual goal. Wootton vividly contrasts the religious and political claustrophobia of seventeenth-century Italy with the abstract beauty of the mathematics and geometry which so delighted his subject. This is an absorbing study worthy of the life-story it tells.”—Diarmaid MacCulloch