FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal, Canada STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada.

• AcknowledgmentsIntroduction"Functional Formanality": Twisted Formal Functions in Joseph Haydn's Symphonies - L. Poundie BursteinMozart's Sonata-Form Arias - Nathan John MartinFormal Type and Formal Function in the Postclassical Piano Concerto - Julian HortonSaint-Saen's Cyclic Forms - Andrew DeruchieSchubert's "Deflected-Cadence" Transitions and the Classical Style - Brian Black"Heavenly Length" in Schubert's Instrumental Music - Francois de MedicisSentences in the Lieder of Robert Schumann:The Relation to the Text - Harald KrebsParlante Talk: Texture and Formal Function in the Operas of Verdi - Steven HuebnerDiscipline and Punish among the Winds in the First Movement of Beethoven's First Symphony - Henry KlumpenhouwerLaborious Homecomings: The "Ongoing Reprise" from Clementi to Brahms - Giorgio SanguinettiDominant Tunnels, Form, and Program in Schoenberg's Verklärte Nacht - Julie Pedneault-DeslauriersForm and Serial Function in Leibowitz's Trois poèmes de Pierre Reverdy - Christoph NeidhoferThe Philosopher as Theorist: Adorno's materiale Formenlehre - Steven Vande MoorteleAfterword - Janet Schmalfeldt

First-rate studies. Fascinating...truly refreshing...incisive analysis.

FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal, Canada STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada.

• AcknowledgmentsIntroduction"Functional Formanality": Twisted Formal Functions in Joseph Haydn's Symphonies - L. Poundie BursteinMozart's Sonata-Form Arias - Nathan John MartinFormal Type and Formal Function in the Postclassical Piano Concerto - Julian HortonSaint-Saen's Cyclic Forms - Andrew DeruchieSchubert's "Deflected-Cadence" Transitions and the Classical Style - Brian Black"Heavenly Length" in Schubert's Instrumental Music - Francois de MedicisSentences in the Lieder of Robert Schumann:The Relation to the Text - Harald KrebsParlante Talk: Texture and Formal Function in the Operas of Verdi - Steven HuebnerDiscipline and Punish among the Winds in the First Movement of Beethoven's First Symphony - Henry KlumpenhouwerLaborious Homecomings: The "Ongoing Reprise" from Clementi to Brahms - Giorgio SanguinettiDominant Tunnels, Form, and Program in Schoenberg's Verklärte Nacht - Julie Pedneault-DeslauriersForm and Serial Function in Leibowitz's Trois poèmes de Pierre Reverdy - Christoph NeidhoferThe Philosopher as Theorist: Adorno's materiale Formenlehre - Steven Vande MoorteleAfterword - Janet Schmalfeldt

First-rate studies. Fascinating...truly refreshing...incisive analysis.

FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal, Canada STEVEN HUEBNER is the James McGill Professor (musicology) at the Schulich School of Music, McGill University, Quebec, Canada.

• AcknowledgmentsIntroduction"Functional Formanality": Twisted Formal Functions in Joseph Haydn's Symphonies - L. Poundie BursteinMozart's Sonata-Form Arias - Nathan John MartinFormal Type and Formal Function in the Postclassical Piano Concerto - Julian HortonSaint-Saen's Cyclic Forms - Andrew DeruchieSchubert's "Deflected-Cadence" Transitions and the Classical Style - Brian Black"Heavenly Length" in Schubert's Instrumental Music - Francois de MedicisSentences in the Lieder of Robert Schumann:The Relation to the Text - Harald KrebsParlante Talk: Texture and Formal Function in the Operas of Verdi - Steven HuebnerDiscipline and Punish among the Winds in the First Movement of Beethoven's First Symphony - Henry KlumpenhouwerLaborious Homecomings: The "Ongoing Reprise" from Clementi to Brahms - Giorgio SanguinettiDominant Tunnels, Form, and Program in Schoenberg's Verklärte Nacht - Julie Pedneault-DeslauriersForm and Serial Function in Leibowitz's Trois poèmes de Pierre Reverdy - Christoph NeidhoferThe Philosopher as Theorist: Adorno's materiale Formenlehre - Steven Vande MoorteleAfterword - Janet Schmalfeldt

First-rate studies. Fascinating...truly refreshing...incisive analysis.