At last, the Australian experience of the extraordinarily volatile period known as the fin de siècle has found its historian. Carl Schorske first explained the significance of the era, and offered a brilliant model for understanding it, in his Fin-De-Siècle Vienna of 1979. Mark Hearn picks up where Schorske left off, amplifying his biographic structure and building on his profound insights. Hearn, though, has a theatre that adds the missing piece to the fin de siècle puzzle: a settler colonial site that shows how imperial forces drove many of the political and cultural crises of these crucial decades. Hearn’s study includes women and Indigenous characters in with the more usual mix of male artists and European intellectuals. The result is an exemplary account for the twenty-first century.