Del 136 - Eastman Studies in Music

Explorations in Schenkerian Analysis

Inbunden, Engelska, 2016

AvDavid Beach,Su Yin Mak,David (Customer) Beach

1 919 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.Explorations in Schenkerian Analysis is a collection of fifteen essays dedicated to the memory of Edward Laufer, an influential advocate of Schenker's method. The chapters are presented in chronological order by composer, opening with Charles Burkhart's contribution, which is presented as a letter to Edward Laufer (written before his death), and ending with excerpts from Stephen Slottow's 2003 interview with Laufer (in an appendix).Whilethe unifying focus is Schenkerian analysis, there is considerable variety in the approaches taken by the contributors. There is also variety in the composers represented, ranging from Bach to Debussy and Strauss. The volume thusdisplays the scope and diversity of Schenkerian studies today.CONTRIBUTORS: Mark Anson-Cartwright, David Beach, Matthew Brown, Charles Burkhart, L. Poundie Burstein, Timothy L. Jackson, Roger Kamien, Leslie Kinton, SuYin Mak, Ryan McClelland, Don McLean, Boyd Pomeroy, William Rothstein, Frank Samarotto, Stephen Slottow, Lauri SuurpääDavid Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. SuYin Mak is associate professor of music at the Chinese University of Hong Kong.

Produktinformation

Utgivningsdatum2016-12-01
Mått152 x 229 x 29 mm
Vikt506 g
FormatInbunden
SpråkEngelska
SerieEastman Studies in Music
Antal sidor372
FörlagBoydell & Brewer Ltd
ISBN9781580465595

Tillhör följande kategorier

PrefaceA Letter about the C-Major Fugue from The Well-Tempered Clavier, Book 1 - Charles BurkhartThe Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View - Mark Anson-CartwrightRecurrence and Fantasy in C. P. E. Bach's Rondo in G Major - Frank SamarottoVoice-Leading Procedures in Galant Expositions - L. Poundie BursteinThe First Movements of Anton Eberl's Symphonies in E-flat Major and D Minor, and Beethoven's Eroica: Toward "New" Sonata Forms? - Timothy JacksonSchubert's "Unfinished" Symphony: Analytical Observations - David W. BeachStructural and Form-Functional Ambiguities in the First Movement of Schubert's Octet in F Major, D. 803 - Su Yin MakThe Form of Chopin's Prelude in B-flat Major, Op. 28, No. 21 - Roger Kamien"All That Is Solid Melts into Air": Schumann's Overture to Manfred - William RothsteinEndings without Resolution: The Slow Movement and Finale of Schumann's Second Symphony - Lauri SuurpääHalf-Diminished-Seventh Openings in Brahms's Lieder - Ryan McClellandMotivic Enlargement in Dvorák's Symphony Op. 70 - Leslie KintonDeliverance and Compositional Design in the "Libera me" of Verdi's Messa da Requiem - Donald R. McLeanPolyphony and Cacophony? A Schenkerian Reading of Strauss's "Dance of the Seven Veils" - Matthew BrownA Force of Nature: Debussy and the Chromatically Displaced Dominant - Boyd PomeroyAppendix: An Interview with Edward Laufer - Stephen Slottow