Del i serien Routledge Research in Art History

Erasures and Eradications in Modern Viennese Art, Architecture and Design

Häftad, Engelska, 2024

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Erasures and Eradications in Modern Viennese Art, Architecture and Design challenges the received narrative on the artists, exhibitions, and interpretations of Viennese Modernism. The book centers on three main erasures—the erasure of Jewish artists and critics; erasures relating to gender and sexual identification; and erasures of other marginalized figures and movements. Restoring missing elements to the story of the visual arts in early twentieth-century Vienna, authors investigate issues of gender, race, ethnic and sexual identity, and political affiliation. Both well-studied artists and organizations—such as the Secession and the Austrian Werkbund, and iconic figures such as Klimt and Hoffmann—are explored, as are lesser known figures and movements. The book’s thought-provoking chapters expand the chronological contours and canon of artists surrounding Viennese Modernism to offer original, nuanced, and rich readings of individual works, while offering a more diverse portrait of the period from 1890, through World War II and into the present. The book will be of interest to scholars working in art history, history, design history, architectural history, and European studies.

Produktinformation

Utgivningsdatum2024-10-04
Mått174 x 246 x undefined mm
Vikt510 g
FormatHäftad
SpråkEngelska
SerieRoutledge Research in Art History
Antal sidor262
FörlagTaylor & Francis Ltd
ISBN9781032010533

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Konsthistoria inom Kultur
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IntroductionPART 1: Beyond Amnesia: Jewish Artists, Patrons and Critics 1. Art in Vienna 1900, or the Return of the RepressedLaura Morowitz2. Erasing "Jewish Traces": Max Oppenheimer and the Crux of Art HistoriographyNathan J. Timpano3. "Our Great Josef Hoffmann": Undoing the Austrian Profile of a Celebrated ArchitectElana Shapira4. The Emigration of Egon Schiele: Jewish Refugees and Austrian Modernism in New YorkFrances Tanzer5. As if They Were Never There: Vienna’s Cityscape and the Ethnic Cleansing of MemorySteven BellerPART 2: Beyond the "Superstars": Gendered Erasures 6. Guests or Members? Women Artists in the Circle of Egon SchieleAndrea Winklbauer7. Across Stage, Page and Dance Floor: Asserting the Dynamic Female Body in Klien’s KineticismRae di Cicco8. The Birth of Painting from the Spirit of the Gingerbread: Anna Lesznai’s Hungarian Exotic in 1920s ViennaJulia Secklehner9. Who Knows BEST? Gendered Views of Interwar Design Reform and Wiener WohnkulturMichelle Jackson-Beckett10. From Secessionist Vienna to Postwar America: Emmy Zweybrück-Prochaska and the Cult of CreativityMegan Brandow-FallerPART 3: Beyond Klimt: Erasures of Understudied Movements/Artists/Connections 11.Gold Rush, Congo Style: Gustav Klimt’s "Expectation and Fulfillment" in the Palais StocletDebora Silverman12. Good Art, Bad Art: The Culture Wars of Fin de Siécle Austria and Their LegacyJames Shedel13. Robert Örley and the Other Wiener ModerneChristopher Long14. Josephine Baker in 1920s Vienna: Modernism, Blackness and Popular CultureRoman Horak15. On Erasures in Modern Architecture: Catholic “Modernism” and the Historiography of Church Building Between the WarsMatthew RampleyPART 4: Epilogue: Past Erasures, Present Aims: The VBKÖ in 2022 16. Speaking with Gaps and Silences in the Vereinigung bildender Künstlerinnen* Österreichs (Austrian Association of Wom*n Artists): Introduction and InterviewVereinigung bildender Künstlerinnen* Österreichs (Austrian Association of Wom*n Artists)