Routledge Research in Art History – serie

Globalizing East European Art Histories

Past and Present

American Pop Art in France

Politics of the Transatlantic Image

Ceramics and Modernity in Japan

Modern Art in Cold War Beirut

Drawing Alliances

Embodied Imagination in Antebellum American Art and Culture

Australian Art Field

Practices, Policies, Institutions

Emilio Sanchez in New York and Latin America

Portuguese Artists in London

Shaping Identities in Post-War Europe

History and Art History

Looking Past Disciplines

Form and Meaning in Avant-Garde Collage and Montage

Performance of Sculpture in Renaissance Venice

Imperial Patronage of Labor Genre Paintings in Eighteenth-Century China

Mongol Court Dress, Identity Formation, and Global Exchange

Agency of Things in Medieval and Early Modern Art

Materials, Power and Manipulation

Interpreting Modernism in Korean Art

Fluidity and Fragmentation

Mobility and Identity in US Genre Painting

Painting at the Threshold

Public Statues Across Time and Cultures

Sculpture Workshops as Space and Concept

Creating the Portrait

Picturing Courtiers and Nobles from Castiglione to Van Dyck

Self Representation by Early Modern Elites

Reception of the Printed Image in the Fifteenth and Sixteenth Centuries

Multiplied and Modified

Art, Mobility, and Exchange in Early Modern Tuscany and Eurasia

Place and Space in the Medieval World

Art, Awakening, and Modernity in the Middle East

The Arab Nude

Benin Plaques

A 16th Century Imperial Monument

Mapping Impressionist Painting in Transnational Contexts

Australian Art Field

Practices, Policies, Institutions

Book of Hours and the Body

Somaesthetics, Posthumanism, and the Uncanny

Book of Hours and the Body

Somaesthetics, Posthumanism, and the Uncanny

Cobra Movement in Postwar Europe

Reanimating Art