Engaging the Ottoman Empire

Daniel O'Quinn is Professor of the School of English and Theatre Studies at the University of Guelph

• IntroductionPART I. AFTER PEACEChapter 1. Theatrum Pacis: Mediating the Treaty of KarlowitzChapter 2. A Costume Empire: Describing the Social MatrixChapter 3. At the Limits of Verisimilitude: Vanmour's Allegories of Social CohesionChapter 4. Critical Alignments: Lady Mary Wortley Montagu's Classical Counter-MemoryPART II. BESIDE WARChapter 5. "As Are Yet to Be Seen": The Dilettanti's Re-enchantment of the Ionian worldChapter 6. Exoriare Aliquis: Choiseul-Gouffier's Needs and Lady Craven's DesiresChapter 7. Narrative Fragments and Object Choices: Antiquities, War, and the Vestiges of LoveChapter 8. Critical Disjunctions: The Intersection of Form, Affect, and Empire in Melling and ByronNotesIndexAcknowledgments

"Daniel O'Quinn's magisterial Engaging the Ottoman Empire illuminates how aesthetic forms and knowledge practices mediate affective, cultural, erotic, and political relations across competing spatial and temporal scales. The book summons a dazzling array of materials— paintings, travel narratives, memoirs, letters, maps, poems, buildings, antiquarian collections— to testify to the complexity of European relations with the Ottoman Empire during the long eighteenth century. The sheer abundance and variety of objects thrust the reader into multifarious timeframes, for the artifacts the book analyzes are composed of materials, techniques, meanings, assumptions, and allusions that belong to multiple moments and that age, die, or become obsolete at different paces." (Studies in Eighteenth-Century Culture) "[B]eautifully written and compellingly argued . . . This book provides fresh ways of thinking about how we might employ a range of Western European sources in understanding their societies' engagements with the Ottoman Empire, and the relationship between local cultures and global pressures." (Modern Philology) "What O'Quinn's book brings to light is the rich and largely unexplored collection of European literary and visual materials produced about the Ottomans that can no longer be ignored by scholars of the long eighteenth century." (Journal of British Studies) "Engaging the Ottoman Empire has the potential to upend so much of what we thought we already knew—about art history, the classics, periodization, media history, European imperialism, and so much more. Its ripple effects will be felt in scholarship on all of these topics for years to come." (Studies in Eighteenth-Century Culture) "Sumptuously produced and illustrated, meticulously edited, and intricately argued, Engaging the Ottoman Empire offers rich rewards to readers who follow its carefully plotted trajectory...[It] sets a new benchmark in Ottoman studies as well as suggesting new approaches to travelogues and visual material relating to the Ottoman World, and it will surely become a key point of reference for all future work in the area." (Nineteenth Century Prose) "Taking a truly interdisciplinary approach, Engaging the Ottoman Empire demonstrates just how prevalent the Near East was in Europe's mediascape and how constitutive it was of European identity. With originality and deftness, Daniel O'Quinn detects subtle disturbances in visual and literary representations that he uses to interrogate larger questions about political contingency, sexual desire, and intercultural mediation. O'Quinn's book is a much needed summa and an incisive work of critical analysis." (Douglas Fordham, University of Virginia) "Engaging the Ottoman Empire is, in its historical rigor, the depth of its archive, and the sophistication of its readings, a monumental achievement. This is true in both a quantitative sense-in the sheer number of objects and texts surveyed-and a qualitative one, in the density of historical excavation and in the openness of the argument to surprise, ambiguity, and contradiction." (David Porter, University of Michigan) "Daniel O'Quinn's great idea is to look at the ways the 'mediascape' in the Christian kingdoms of Europe directly addressed the mediation of relations with the Ottomans. Engaging the Ottoman Empire contains a wonderful set of images that opens up new possibilities for the discussion of European representation of the Ottomans." (Palmira Brummett, University of Tennessee, Knoxville)