Material Texts – serie

Books and Readers in Early Modern England

Material Studies

Medieval Craft of Memory

An Anthology of Texts and Pictures

American Literature and the Culture of Reprinting, 1834-1853

Inscription and Erasure

Literature and Written Culture from the Eleventh to the Eighteenth Century

Reading the Qur'ān in Latin Christendom, 1140-1560

Reading Women

Literacy, Authorship, and Culture in the Atlantic World, 1500-1800

Hitler's Face

The Biography of an Image

Used Books

Marking Readers in Renaissance England

Devil in the Holy Water, or the Art of Slander from Louis XIV to Napoleon

Ways of Writing

The Practice and Politics of Text-Making in Seventeenth-Century New England

Divine Art, Infernal Machine

The Reception of Printing in the West from First Impressions to the Sense of an Ending

Pens and Needles

Women's Textualities in Early Modern England

Owning William Shakespeare

The King's Men and Their Intellectual Property

Early African American Print Culture

Reading Children

Literacy, Property, and the Dilemmas of Childhood in Nineteenth-Century America

Queer Philologies

Sex, Language, and Affect in Shakespeare's Time

Inventing Exoticism

Geography, Globalism, and Europe's Early Modern World

Recipes for Thought

Knowledge and Taste in the Early Modern English Kitchen

Art of Allusion

Illuminators and the Making of English Literature, 1403-1476

Bitstreams

The Future of Digital Literary Heritage

After Augustine

The Meditative Reader and the Text

Curiosities and Texts

The Culture of Collecting in Early Modern England

Textual Situations

Three Medieval Manuscripts and Their Readers

Genetic Criticism

Texts and Avant-textes

Communication, Knowledge, and Memory in Early Modern Spain

Bibliography and the Book Trades

Studies in the Print Culture of Early New England

Trouble with Ownership

Literary Property and Authorial Liability in England, 166-173

Afterlife of Character, 1726-1825

Plagiarism and Literary Property in the Romantic Period