Enduring Legacy of Venetian Renaissance Art

Andaleeb Badiee Banta is Curator of European and American Art at the Allen Memorial Art Museum, Oberlin College, USA.

• Table of ContentsList of IllustrationsNotes on the ContributorsAcknowledgementsIntroduction: In the Shadow of La SerenissimaAndaleeb Badiee Banta and Lindsey P. SchneiderChapter 1: The Neurosis of Visual Legacy: Seicento Venetian Painters Confront Their PastTaryn Marie ZarrilloChapter 2: "Il Prete Genovese:" Bernardo Strozzi and the Venetian CinquecentoAndaleeb Badiee BantaChapter 3: Titian and Tintoretto in the Sacristy of Santa Maria della Salute: a Seicento "Accademia" for Displaced Treasures of the Venetian CinquecentoAllison ShermanChapter 4: "A beautiful woman should break her mirror early:" The Rokeby Venus, the Venetians, and GraciánAneta Georgievska-ShineChapter 5: "A Good Friend of our Venetian Maniera:" Pietro da Cortona and Neo-Venetianism in Roman Painting after 1650Lindsey P. SchneiderChapter 6: Paolo Veronese Revisited: Art Collecting and Connoisseurship in Eighteenth-Century Venice Linda BoreanChapter 7: Antonio Corradini, the Collegio dei scultori, and the Neo-Cinquecentismo in Venice around 1720Matej KlemenčičChapter 8: Displaying Objects and Performing Publics: Antonio Maria Zanetti’s Delle Antiche StatueJanna IsraelChapter 9: The Long Shadows of Titian’s Trees Leopoldine ProsperettiChapter 10: Conjuring Venetian Costume: The Influence of Cinquecento Paintings in Mariano Fortuny’s Dress DesignsWendy Ligon SmithAfterword: Quick to Say Good-Bye, Hard to Forget: The Long Lives of Cinquecento Venetian PicturesJodi CranstonWorks CitedIndex