Dostoevsky's The Idiot and the Ethical Foundations of Narrative

Sarah Young is a Leverhulme Special Research Fellow in the Department of Russian and Slavonic Studies at the University of Nottingham, UK.

• Acknowledgements; A Note on Transliterations and Translations; Introduction; I. Reading The Idiot: The Hero and Other Problems; II. Interactive Narrating in the Idiot: The Scripting Impulse; 1. The Disappearing Heroine; I. Creating the Heroine: Rogozhin's Story; II. Nastas'ia Filippovnas's Lie: The Struggle Against Objectification; III. The Heroine Appears: Two Skandaly; IV. The Heroine Disappears: Control and Interpretation; V. Confrontation and Reverberation; VI. Freedom and Necessity: The Ideological Heroine; 2. Compassionate Realism and the Principles of Saintly Scripting; 1. The Foundations of Myshkin's Script in Narrative; II. The Foundations of Myshkin's Script in Action; III. The Foundations of Myshkin's Script in Experience; IV. Rocking the Foundations; 3. Self and other in Dostoevsky's Aesthetic Activity; I. Ippolit and the Other; II. Time, Narration and the Other; III. The Narrator's Novel; IV: Challenging the Narrator's Novel; Conclusion; Abbreviations; Notes; Bibliography

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