David Thomas Henry Wright is an author, poet, digital artist, and academic. He has been recognised by the QLA Digital Literature Prize, the Robert Coover Award, and the Carmel Bird Digital Literary Award. He has been awarded multiple research/arts grants and published in various journals. He has a PhD (Comparative Literature) from Murdoch and a master’s (Creative Writing) from The University of Edinburgh and has been a lecturer at Tsinghua University. He is co-editor of The Digital Review and Associate Professor at Nagoya University. Now he is working at the University of Bergen.

• IntroductionA Memo on MemosA Memo on MillenniumsA Memo on the LiteraryA Memo on the DigitalA Memo on Creative PracticeA Memo on WritersIFirst Memo: LightnessFirst Digression: Contemporary WeightBeyond MaximalismCreative Practice: WHALEFALL, Taroko Gorge, Most Powerful Words, The Data Souls.IISecond Memo: QuicknessSecond Digression: Lingering InteractivityBeyond the Digital/Print NexusCreative Practice: The Gathering Cloud, Paige & Powe.IIIThird Memo: ExactitudeThird Digression: Relentless PrecisionBeyond PrecisionCreative Practice: A Dictionary of the Revolution, Little Emperor Syndrome.IVFourth Memo: VisibilityFourth Digression: Ekphrastic StrategiesBeyond Ekphrastic DespairCreative Practice: Life After Wartime, novelling, The Buoy, The Boat, The Vine and the Fish, Voices, A Recombinant History of Australian Camels.VFifth Memo: MultiplicityFifth Digression: Ethical AssociationsBeyond ParanoiaCreative Practice: “The V[R]erses”: An XR Story Series, The Library of Nonhuman Books, The Perfect DemocracyConclusionBeyond the MemosBeyond the MillenniumBeyond the LiteraryBeyond the DigitalBeyond Creative PracticeBeyond WritersAppendicesAppendix A: Description of Most Powerful WordsAppendix B: Description of The Data SoulsAppendix C: Quotations opening A Condensed History of Australian CamelsAppendix D: Quotations opening The Perfect Democracy

David Thomas Henry Wright is an author, poet, digital artist, and academic. He has been recognised by the QLA Digital Literature Prize, the Robert Coover Award, and the Carmel Bird Digital Literary Award. He has been awarded multiple research/arts grants and published in various journals. He has a PhD (Comparative Literature) from Murdoch and a master’s (Creative Writing) from The University of Edinburgh and has been a lecturer at Tsinghua University. He is co-editor of The Digital Review and Associate Professor at Nagoya University. Now he is working at the University of Bergen.

• IntroductionA Memo on MemosA Memo on MillenniumsA Memo on the LiteraryA Memo on the DigitalA Memo on Creative PracticeA Memo on WritersIFirst Memo: LightnessFirst Digression: Contemporary WeightBeyond MaximalismCreative Practice: WHALEFALL, Taroko Gorge, Most Powerful Words, The Data Souls.IISecond Memo: QuicknessSecond Digression: Lingering InteractivityBeyond the Digital/Print NexusCreative Practice: The Gathering Cloud, Paige & Powe.IIIThird Memo: ExactitudeThird Digression: Relentless PrecisionBeyond PrecisionCreative Practice: A Dictionary of the Revolution, Little Emperor Syndrome.IVFourth Memo: VisibilityFourth Digression: Ekphrastic StrategiesBeyond Ekphrastic DespairCreative Practice: Life After Wartime, novelling, The Buoy, The Boat, The Vine and the Fish, Voices, A Recombinant History of Australian Camels.VFifth Memo: MultiplicityFifth Digression: Ethical AssociationsBeyond ParanoiaCreative Practice: “The V[R]erses”: An XR Story Series, The Library of Nonhuman Books, The Perfect DemocracyConclusionBeyond the MemosBeyond the MillenniumBeyond the LiteraryBeyond the DigitalBeyond Creative PracticeBeyond WritersAppendicesAppendix A: Description of Most Powerful WordsAppendix B: Description of The Data SoulsAppendix C: Quotations opening A Condensed History of Australian CamelsAppendix D: Quotations opening The Perfect Democracy

David Thomas Henry Wright is an author, poet, digital artist, and academic. He has been recognised by the QLA Digital Literature Prize, the Robert Coover Award, and the Carmel Bird Digital Literary Award. He has been awarded multiple research/arts grants and published in various journals. He has a PhD (Comparative Literature) from Murdoch and a master’s (Creative Writing) from The University of Edinburgh and has been a lecturer at Tsinghua University. He is co-editor of The Digital Review and Associate Professor at Nagoya University. Now he is working at the University of Bergen.

• IntroductionA Memo on MemosA Memo on MillenniumsA Memo on the LiteraryA Memo on the DigitalA Memo on Creative PracticeA Memo on WritersIFirst Memo: LightnessFirst Digression: Contemporary WeightBeyond MaximalismCreative Practice: WHALEFALL, Taroko Gorge, Most Powerful Words, The Data Souls.IISecond Memo: QuicknessSecond Digression: Lingering InteractivityBeyond the Digital/Print NexusCreative Practice: The Gathering Cloud, Paige & Powe.IIIThird Memo: ExactitudeThird Digression: Relentless PrecisionBeyond PrecisionCreative Practice: A Dictionary of the Revolution, Little Emperor Syndrome.IVFourth Memo: VisibilityFourth Digression: Ekphrastic StrategiesBeyond Ekphrastic DespairCreative Practice: Life After Wartime, novelling, The Buoy, The Boat, The Vine and the Fish, Voices, A Recombinant History of Australian Camels.VFifth Memo: MultiplicityFifth Digression: Ethical AssociationsBeyond ParanoiaCreative Practice: “The V[R]erses”: An XR Story Series, The Library of Nonhuman Books, The Perfect DemocracyConclusionBeyond the MemosBeyond the MillenniumBeyond the LiteraryBeyond the DigitalBeyond Creative PracticeBeyond WritersAppendicesAppendix A: Description of Most Powerful WordsAppendix B: Description of The Data SoulsAppendix C: Quotations opening A Condensed History of Australian CamelsAppendix D: Quotations opening The Perfect Democracy