David Scott is internationally known both for his writing on travel and on the semiotics of graphic design, with books on travel texts, the postage stamp and the poster. He has also written books on the aesthetics and cultures of boxing and is the author of three works of fiction.

• List of Figures; Introduction; 1. Fact and Fantasy: Reading and Misreading the Poster Image; 2. People, Places and Planes: Destinations and Itineraries; 3. Looking Out and Looking Up: Framing Devices and Indexical Signs; 4. Indigenous Peoples; 5. Glamour and Sex Appeal: Designing Desire; Conclusion: The Decline of the Airline Travel Poster; References; Index.

“The book offers a true semiological analysis of the lithographic poster, explaining its importance and specificity in relation to the photographic poster. According to Scott, the travel poster combines factual elements and fantasy but is also inseparable from an aesthetic dimension which must combine clarity (of the message) while being pleasing to the eye. The book also offers a sociocultural perspective that allows following the evolution of tourism and air travel.” —Jean-Xavier Ridon, Professor of French and Francophone Studies, Faculty of Arts, University of Nottingham, United Kingdom

David Scott is internationally known both for his writing on travel and on the semiotics of graphic design, with books on travel texts, the postage stamp and the poster. He has also written books on the aesthetics and cultures of boxing and is the author of three works of fiction.

• List of Figures; Introduction; 1. Fact and Fantasy: Reading and Misreading the Poster Image; 2. People, Places and Planes: Destinations and Itineraries; 3. Looking Out and Looking Up: Framing Devices and Indexical Signs; 4. Indigenous Peoples; 5. Glamour and Sex Appeal: Designing Desire; Conclusion: The Decline of the Airline Travel Poster; References; Index.

“The book offers a true semiological analysis of the lithographic poster, explaining its importance and specificity in relation to the photographic poster. According to Scott, the travel poster combines factual elements and fantasy but is also inseparable from an aesthetic dimension which must combine clarity (of the message) while being pleasing to the eye. The book also offers a sociocultural perspective that allows following the evolution of tourism and air travel.” —Jean-Xavier Ridon, Professor of French and Francophone Studies, Faculty of Arts, University of Nottingham, United Kingdom

David Scott is internationally known both for his writing on travel and on the semiotics of graphic design, with books on travel texts, the postage stamp and the poster. He has also written books on the aesthetics and cultures of boxing and is the author of three works of fiction.

• List of Figures; Introduction; 1. Fact and Fantasy: Reading and Misreading the Poster Image; 2. People, Places and Planes: Destinations and Itineraries; 3. Looking Out and Looking Up: Framing Devices and Indexical Signs; 4. Indigenous Peoples; 5. Glamour and Sex Appeal: Designing Desire; Conclusion: The Decline of the Airline Travel Poster; References; Index.

“The book offers a true semiological analysis of the lithographic poster, explaining its importance and specificity in relation to the photographic poster. According to Scott, the travel poster combines factual elements and fantasy but is also inseparable from an aesthetic dimension which must combine clarity (of the message) while being pleasing to the eye. The book also offers a sociocultural perspective that allows following the evolution of tourism and air travel.” —Jean-Xavier Ridon, Professor of French and Francophone Studies, Faculty of Arts, University of Nottingham, United Kingdom