Del i serien Routledge Research in Art History

Cultural Mobility in the Interwar Avant-Garde Art Network

Poland, Belgium and the Netherlands

Häftad, Engelska, 2022

AvMichał Wenderski

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This book explores the issue of cultural mobility within the interwar network of the European avant-garde, focusing on selected writers, artists, architects, magazines and groups from Poland, Belgium and Netherlands. Regardless of their apparent linguistic, cultural and geographical remoteness, their mutual exchange and relationships were both deep and broad, and of great importance for the wider development of interwar avant-garde literature, art and architecture. This analysis is based on a vast research corpus encompassing original, often previously overlooked periodicals, publications and correspondence gathered from archives around the world.

Produktinformation

Utgivningsdatum2022-06-14
Mått174 x 246 x 24 mm
Vikt349 g
FormatHäftad
SpråkEngelska
SerieRoutledge Research in Art History
Antal sidor196
FörlagTaylor & Francis Ltd
ISBN9781032338958

Tillhör följande kategorier

Konsthistoria inom Kultur

List of figures List of tables Acknowledgements List of abbreviations of consulted institutions and repositoriesIntroductionChapter 1: Polish, Belgian and Dutch avant-garde formations, their mutual contacts and cultural mobility within the international network of groups and periodicals1.1. Interwar avant-garde formations of Dutch, Belgian and Polish provenance1.2. Cultural mobility between Polish and Belgian avant-garde formations1.2.1. Traces of Polish-Belgian cultural mobility in Belgian avant-garde periodicals1.2.2. Traces of Polish-Belgian cultural mobility in Polish avant-garde periodicals1.3. Cultural mobility between Polish and Dutch avant-garde formations1.3.1. Traces of Polish-Dutch cultural mobility in Dutch avant-garde periodicals1.3.2. Traces of Polish-Dutch cultural mobility in Polish avant-garde periodicals1.4. Traces of Polish-Dutch and Polish-Belgian cultural mobility in relevant international avant-garde periodicals1.5. Cross-referencing1.6. Preliminary observationsChapter 2: Avant-garde manifestos and programmatic statements – inspirations, parallels and dissimilarities2.1. Abstraction as the idiom of universal art2.2. L’art pour …?2.3. Cooperation between disciplines and across borders2.4. Preliminary conclusionsChapter 3: "What we do is no imitation, but an effort parallel to…" – selected works of art and architecture as representation of mutual influences and similarities3.1. Avant-garde publications from Poland and the Low Countries in light of international trends in layout and page design3.2. Piet Mondrian, Theo van Doesburg and Henryk Stazewski3.3. Katarzyna Kobro and Georges Vantongerloo3.4. Mieczyslaw Szczuka and Hendrik Nicolaas Werkman3.5. Henryk Berlewi, Vilmos Huszár and Karel Maes3.6. Poland, the Low Countries and foreign artists: the examples of El Lissitzky and Pietro (de) Saga3.7. Interior design3.8. Architecture3.9. Preliminary conclusionsClosing remarksReferencesPrimary sourcesSecondary sourcesAppendix