Stefan Horlacher is Chair of English Literature at Dresden University of Technology, Germany.Thilini Meegaswatta is a lecturer at the Open University of Sri Lanka.

• 1. Sri Lanka and the Art of New Alternatives: The Creation of a New Community in the Aftermath of War 2. Sri Lanka's Postcolonial/Post-Civil War Conundrum, Transitional Justice and the Power of Art 3. Homi Bhabha's False Hope? Hybrid Culture and Identity Politics in Paanama, Sri Lanka 4. Affective Justice for an Ineffective Transition: Visceral, Vicarious Responsibility in Paangshu and Demons in Paradise 5. Living in the Past: Sinhala Buddhist Nationalism and Post-war Sinhala Cinema in Sri Lanka 6. Space and Emotions, Remembering Traumas: The Politics of Post-War Landscape Paintings in Sri Lanka 7. 'Traitors'/'Terrorists' and the Art of Self-Censorship 8. Artful Struggles: Art in the Aftermath of the Aragalaya-Porattam 9. "Audit the President, Parliament, Armed Forces and Police! Investigate!" — An Interview with Sujith Rathnayake 10. The Enactment of Community in Sri Lankan Artistic Practice: Performance, Public Space, Politics 11. Sri Lankan Witness Literature: The New Poetics of Affective Truth-telling in Post-war Testimonial Narrative 12. A Queer Voice in the Narration of Sri Lanka's Ethnic Conflict: Queer Visceral Embodiment and Sri Lankan Tamil Diasporic Women's Writing 13. Creating Meaning out of Dirt: Rituals, Taboos and the Abject in Anuk Arudpragasam's The Story of a Brief Marriage 14. The Ontologies of Morality in Anuk Arudpragasam's A Passage North 15. In an Occupied Land, Uncertainty, Interviewing an Unearthed Skeleton, A Silent Follower 16. There aren't enough gods in this world, Canal in Colombo 17. Zimzalabim 18. The Good Parents 19. Homecoming

Stefan Horlacher is Chair of English Literature at Dresden University of Technology, Germany.Thilini Meegaswatta is a lecturer at the Open University of Sri Lanka.

• 1. Sri Lanka and the Art of New Alternatives: The Creation of a New Community in the Aftermath of War 2. Sri Lanka's Postcolonial/Post-Civil War Conundrum, Transitional Justice and the Power of Art 3. Homi Bhabha's False Hope? Hybrid Culture and Identity Politics in Paanama, Sri Lanka 4. Affective Justice for an Ineffective Transition: Visceral, Vicarious Responsibility in Paangshu and Demons in Paradise 5. Living in the Past: Sinhala Buddhist Nationalism and Post-war Sinhala Cinema in Sri Lanka 6. Space and Emotions, Remembering Traumas: The Politics of Post-War Landscape Paintings in Sri Lanka 7. 'Traitors'/'Terrorists' and the Art of Self-Censorship 8. Artful Struggles: Art in the Aftermath of the Aragalaya-Porattam 9. "Audit the President, Parliament, Armed Forces and Police! Investigate!" — An Interview with Sujith Rathnayake 10. The Enactment of Community in Sri Lankan Artistic Practice: Performance, Public Space, Politics 11. Sri Lankan Witness Literature: The New Poetics of Affective Truth-telling in Post-war Testimonial Narrative 12. A Queer Voice in the Narration of Sri Lanka's Ethnic Conflict: Queer Visceral Embodiment and Sri Lankan Tamil Diasporic Women's Writing 13. Creating Meaning out of Dirt: Rituals, Taboos and the Abject in Anuk Arudpragasam's The Story of a Brief Marriage 14. The Ontologies of Morality in Anuk Arudpragasam's A Passage North 15. In an Occupied Land, Uncertainty, Interviewing an Unearthed Skeleton, A Silent Follower 16. There aren't enough gods in this world, Canal in Colombo 17. Zimzalabim 18. The Good Parents 19. Homecoming

Stefan Horlacher is Chair of English Literature at Dresden University of Technology, Germany.Thilini Meegaswatta is a lecturer at the Open University of Sri Lanka.

• 1. Sri Lanka and the Art of New Alternatives: The Creation of a New Community in the Aftermath of War 2. Sri Lanka's Postcolonial/Post-Civil War Conundrum, Transitional Justice and the Power of Art 3. Homi Bhabha's False Hope? Hybrid Culture and Identity Politics in Paanama, Sri Lanka 4. Affective Justice for an Ineffective Transition: Visceral, Vicarious Responsibility in Paangshu and Demons in Paradise 5. Living in the Past: Sinhala Buddhist Nationalism and Post-war Sinhala Cinema in Sri Lanka 6. Space and Emotions, Remembering Traumas: The Politics of Post-War Landscape Paintings in Sri Lanka 7. 'Traitors'/'Terrorists' and the Art of Self-Censorship 8. Artful Struggles: Art in the Aftermath of the Aragalaya-Porattam 9. "Audit the President, Parliament, Armed Forces and Police! Investigate!" — An Interview with Sujith Rathnayake 10. The Enactment of Community in Sri Lankan Artistic Practice: Performance, Public Space, Politics 11. Sri Lankan Witness Literature: The New Poetics of Affective Truth-telling in Post-war Testimonial Narrative 12. A Queer Voice in the Narration of Sri Lanka's Ethnic Conflict: Queer Visceral Embodiment and Sri Lankan Tamil Diasporic Women's Writing 13. Creating Meaning out of Dirt: Rituals, Taboos and the Abject in Anuk Arudpragasam's The Story of a Brief Marriage 14. The Ontologies of Morality in Anuk Arudpragasam's A Passage North 15. In an Occupied Land, Uncertainty, Interviewing an Unearthed Skeleton, A Silent Follower 16. There aren't enough gods in this world, Canal in Colombo 17. Zimzalabim 18. The Good Parents 19. Homecoming