Stefan Horlacher is Chair of English Literature at TU Dresden, Germany. He is the author of two monographs and the editor or co-editor of 17 books. His latest publications are Configuring Masculinity in Theory and Literary Practice (2015); Männlichkeit. Ein interdisziplinäres Handbuch / Metzler Handbook on Masculinities and Masculinity Studies (2016), and Transgender and Intersex: Theoretical, Practical, and Artistic Perspectives (2016).Kevin Floyd is Professor of English at Kent State University, USA, a recent recipient of Fulbright and Alexander von Humboldt grants, and the author of The Reification of Desire: Toward a Queer Marxism (2009; French translation 2013). His articles have appeared in journals including Social Text, Rethinking Marxism, Cultural Critique, Mediations, Science and Society, and Works and Days.

• Contemporary Masculinities in the UK and the US: Between Bodies and Systems; Kevin Floyd and Stefan Horlacher.- Modern Day Mercenaries? Cowboys, Grey Men, and the Emotional Habitus; Paul Higate.- Rugged Individualists and Systemic Coups: Imagining Mercenary Masculinities in The Dogs of War (1974); Charity Fox.- Privileged Crises in the Wake of 9/11: Universalizing Masculinity in Ian McEwan’s Saturday and Oliver Stone’s World Trade Center; Elahe Haschemi Yekani.- Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena; Wieland Schwanebeck.- The Use of Celebrity Men in Anti-Trafficking and Ending Demand Interventions: Observations on the “Real men don’t buy girls” Public Service Campaign; Sarah L. Steele and Tyler Shores.- “Stand It Like a Man”: The Performance of Masculinities in Deadwood; Brigitte Georgi-Findlay.- The Tragic “Complexity of Manhood”: Masculinity Formationsand Performances in James Baldwin’s Giovanni’s Room; Velina Manolova.- “Guys Like Me Are a Dying Breed”: The Politics of Irish-American Masculinity in Recent Movies and TV Series; Alexandra Schein.- White Supremacists, or the Emasculation of the American White Man; Michael Kimmel.- Law, Language, and Post-Patriarchal Malaise in William Gaddis’s A Frolic of His Own; Katja Kanzler.- Wall Street and Representations of Masculinity in Contemporary American Film and Fiction; Ulfried Reichardt.- Index.-

“Contemporary Masculinities in the UK and the US is a very enjoyable collection of rather heterogeneous texts. … the collection accomplishes very well what it set out to do, namely to raise awareness of the gap Between Bodies and Systems.” (Monika Müller, Anglia, Vol. 138 (4), 2020)

Stefan Horlacher is Chair of English Literature at TU Dresden, Germany. He is the author of two monographs and the editor or co-editor of 17 books. His latest publications are Configuring Masculinity in Theory and Literary Practice (2015); Männlichkeit. Ein interdisziplinäres Handbuch / Metzler Handbook on Masculinities and Masculinity Studies (2016), and Transgender and Intersex: Theoretical, Practical, and Artistic Perspectives (2016).Kevin Floyd is Professor of English at Kent State University, USA, a recent recipient of Fulbright and Alexander von Humboldt grants, and the author of The Reification of Desire: Toward a Queer Marxism (2009; French translation 2013). His articles have appeared in journals including Social Text, Rethinking Marxism, Cultural Critique, Mediations, Science and Society, and Works and Days.

• Contemporary Masculinities in the UK and the US: Between Bodies and Systems; Kevin Floyd and Stefan Horlacher.- Modern Day Mercenaries? Cowboys, Grey Men, and the Emotional Habitus; Paul Higate.- Rugged Individualists and Systemic Coups: Imagining Mercenary Masculinities in The Dogs of War (1974); Charity Fox.- Privileged Crises in the Wake of 9/11: Universalizing Masculinity in Ian McEwan’s Saturday and Oliver Stone’s World Trade Center; Elahe Haschemi Yekani.- Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena; Wieland Schwanebeck.- The Use of Celebrity Men in Anti-Trafficking and Ending Demand Interventions: Observations on the “Real men don’t buy girls” Public Service Campaign; Sarah L. Steele and Tyler Shores.- “Stand It Like a Man”: The Performance of Masculinities in Deadwood; Brigitte Georgi-Findlay.- The Tragic “Complexity of Manhood”: Masculinity Formationsand Performances in James Baldwin’s Giovanni’s Room; Velina Manolova.- “Guys Like Me Are a Dying Breed”: The Politics of Irish-American Masculinity in Recent Movies and TV Series; Alexandra Schein.- White Supremacists, or the Emasculation of the American White Man; Michael Kimmel.- Law, Language, and Post-Patriarchal Malaise in William Gaddis’s A Frolic of His Own; Katja Kanzler.- Wall Street and Representations of Masculinity in Contemporary American Film and Fiction; Ulfried Reichardt.- Index.-

“Contemporary Masculinities in the UK and the US is a very enjoyable collection of rather heterogeneous texts. … the collection accomplishes very well what it set out to do, namely to raise awareness of the gap Between Bodies and Systems.” (Monika Müller, Anglia, Vol. 138 (4), 2020)

Stefan Horlacher is Chair of English Literature at TU Dresden, Germany. He is the author of two monographs and the editor or co-editor of 17 books. His latest publications are Configuring Masculinity in Theory and Literary Practice (2015); Männlichkeit. Ein interdisziplinäres Handbuch / Metzler Handbook on Masculinities and Masculinity Studies (2016), and Transgender and Intersex: Theoretical, Practical, and Artistic Perspectives (2016).Kevin Floyd is Professor of English at Kent State University, USA, a recent recipient of Fulbright and Alexander von Humboldt grants, and the author of The Reification of Desire: Toward a Queer Marxism (2009; French translation 2013). His articles have appeared in journals including Social Text, Rethinking Marxism, Cultural Critique, Mediations, Science and Society, and Works and Days.

• Contemporary Masculinities in the UK and the US: Between Bodies and Systems; Kevin Floyd and Stefan Horlacher.- Modern Day Mercenaries? Cowboys, Grey Men, and the Emotional Habitus; Paul Higate.- Rugged Individualists and Systemic Coups: Imagining Mercenary Masculinities in The Dogs of War (1974); Charity Fox.- Privileged Crises in the Wake of 9/11: Universalizing Masculinity in Ian McEwan’s Saturday and Oliver Stone’s World Trade Center; Elahe Haschemi Yekani.- Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena; Wieland Schwanebeck.- The Use of Celebrity Men in Anti-Trafficking and Ending Demand Interventions: Observations on the “Real men don’t buy girls” Public Service Campaign; Sarah L. Steele and Tyler Shores.- “Stand It Like a Man”: The Performance of Masculinities in Deadwood; Brigitte Georgi-Findlay.- The Tragic “Complexity of Manhood”: Masculinity Formationsand Performances in James Baldwin’s Giovanni’s Room; Velina Manolova.- “Guys Like Me Are a Dying Breed”: The Politics of Irish-American Masculinity in Recent Movies and TV Series; Alexandra Schein.- White Supremacists, or the Emasculation of the American White Man; Michael Kimmel.- Law, Language, and Post-Patriarchal Malaise in William Gaddis’s A Frolic of His Own; Katja Kanzler.- Wall Street and Representations of Masculinity in Contemporary American Film and Fiction; Ulfried Reichardt.- Index.-

“Contemporary Masculinities in the UK and the US is a very enjoyable collection of rather heterogeneous texts. … the collection accomplishes very well what it set out to do, namely to raise awareness of the gap Between Bodies and Systems.” (Monika Müller, Anglia, Vol. 138 (4), 2020)