Noyale Colin is a lecturer and the course leader of the BA (Hons) Dance programme at University Campus Suffolk, UK. She has worked as a performer and choreographer in the United States and Europe. Her current research examines the politics of co-working in contemporary performance making.Stefanie Sachsenmaier is Senior Lecturer in Theatre Arts at Middlesex University, UK. With a background as a performer and tai chi practitioner, her research interests centre on the processual in creative practice.

• 1. Introduction: Collaborative Performance-Making in Context; Noyale Colin & Stefanie SachsenmaierPART I: PREMISES2. Contemporary Collaborations and Cautionary Tales; Simon Murray3. Collaboration, Temporality and Post-Fordism; Bojana Kunst4. Collaboration, Democracy and the Total Artwork; Alexandra Kolb 5. I want to work with you because I can speak for myself: The Potential of Postconsensual Collaboration in Choreographic Practice; Martina Rusham6. Ten Propositions for Research-Creation; Erin ManningPART II: WORKINGS7. Since each of us was several: Collaboration in the context of the differential self; Laura Cull8. Collaboration as a Mode of Labour; Noyale Colin9. The Author of the Gift  -The Practice of Authorship; Tim Jeeves10. Asking 'What is Collaboration?' on Behalf of Jerzy Grotowski; Kris Salata11. Te Kore and the encounter of performance; Carol Brown and Moana Nepia12. Rowing to Hilversum Double Vision in Performance and Architecture; Pedro de Senna, Caroline Bowditch, David Bower13. Rowing to Hilversum  Double Vision in Performance and Architecture; Forster and HeighesPART III: FAILURE14. Positive Negatives  or the subtle arts of compromise; Susan Melrose15. Messy Bits; Emilyn Claid16. Productive misapprehensions  Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice; Stefanie SachsenmaierIndex

Noyale Colin is a lecturer and the course leader of the BA (Hons) Dance programme at University Campus Suffolk, UK. She has worked as a performer and choreographer in the United States and Europe. Her current research examines the politics of co-working in contemporary performance making.Stefanie Sachsenmaier is Senior Lecturer in Theatre Arts at Middlesex University, UK. With a background as a performer and tai chi practitioner, her research interests centre on the processual in creative practice.

• 1. Introduction: Collaborative Performance-Making in Context; Noyale Colin & Stefanie SachsenmaierPART I: PREMISES2. Contemporary Collaborations and Cautionary Tales; Simon Murray3. Collaboration, Temporality and Post-Fordism; Bojana Kunst4. Collaboration, Democracy and the Total Artwork; Alexandra Kolb 5. I want to work with you because I can speak for myself: The Potential of Postconsensual Collaboration in Choreographic Practice; Martina Rusham6. Ten Propositions for Research-Creation; Erin ManningPART II: WORKINGS7. Since each of us was several: Collaboration in the context of the differential self; Laura Cull8. Collaboration as a Mode of Labour; Noyale Colin9. The Author of the Gift  -The Practice of Authorship; Tim Jeeves10. Asking 'What is Collaboration?' on Behalf of Jerzy Grotowski; Kris Salata11. Te Kore and the encounter of performance; Carol Brown and Moana Nepia12. Rowing to Hilversum Double Vision in Performance and Architecture; Pedro de Senna, Caroline Bowditch, David Bower13. Rowing to Hilversum  Double Vision in Performance and Architecture; Forster and HeighesPART III: FAILURE14. Positive Negatives  or the subtle arts of compromise; Susan Melrose15. Messy Bits; Emilyn Claid16. Productive misapprehensions  Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice; Stefanie SachsenmaierIndex

Noyale Colin is a lecturer and the course leader of the BA (Hons) Dance programme at University Campus Suffolk, UK. She has worked as a performer and choreographer in the United States and Europe. Her current research examines the politics of co-working in contemporary performance making.Stefanie Sachsenmaier is Senior Lecturer in Theatre Arts at Middlesex University, UK. With a background as a performer and tai chi practitioner, her research interests centre on the processual in creative practice.

• 1. Introduction: Collaborative Performance-Making in Context; Noyale Colin & Stefanie SachsenmaierPART I: PREMISES2. Contemporary Collaborations and Cautionary Tales; Simon Murray3. Collaboration, Temporality and Post-Fordism; Bojana Kunst4. Collaboration, Democracy and the Total Artwork; Alexandra Kolb 5. I want to work with you because I can speak for myself: The Potential of Postconsensual Collaboration in Choreographic Practice; Martina Rusham6. Ten Propositions for Research-Creation; Erin ManningPART II: WORKINGS7. Since each of us was several: Collaboration in the context of the differential self; Laura Cull8. Collaboration as a Mode of Labour; Noyale Colin9. The Author of the Gift  -The Practice of Authorship; Tim Jeeves10. Asking 'What is Collaboration?' on Behalf of Jerzy Grotowski; Kris Salata11. Te Kore and the encounter of performance; Carol Brown and Moana Nepia12. Rowing to Hilversum Double Vision in Performance and Architecture; Pedro de Senna, Caroline Bowditch, David Bower13. Rowing to Hilversum  Double Vision in Performance and Architecture; Forster and HeighesPART III: FAILURE14. Positive Negatives  or the subtle arts of compromise; Susan Melrose15. Messy Bits; Emilyn Claid16. Productive misapprehensions  Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice; Stefanie SachsenmaierIndex