Claudio Monteverdi’s Venetian Operas

Ellen Rosand, George A. Saden Professor of Music Emerita at Yale (1992-2014), is the author of Opera in Seventeenth-Century Venice: The Creation of a Genre (1991), and Monteverdi’s Last Operas: A Venetian Trilogy (2007). She also edited Readying Cavalli’s Operas for the Stage (2013), is General Editor of Cavalli Opere, a critical edition of the operas of Francesco Cavalli, and founded the Yale Baroque Opera Project, an undergraduate opera company, in 2006, with the support of a Distinguished Achievement Award from the Andrew W. Mellon Foundation Stefano La Via is Professor of "Storia della Poesia per musica" and "Storia della Canzone d’autore" at the University of Pavia, Department of Musicology and Cultural Heritage (Cremona). Educated at the Universities of Rome and Princeton, he has published essays on the relationship between poetry and music in various historical periods, with particular reference to 16th-century Madrigal, 17th-/18th-century Opera, Auteur Song in Europe and the Americas.

• PART I: Context and Sources1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L’Incoronazione di Poppea2. Jean-Francois Lattarico. L’incoronazione di Poppea within the Context of Le ore ociose (1656).3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d’Ulisse in patria. 6. Nicola Usula Notes on the manuscript of il ritorno d’Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES PART II: Performance and Interpretation7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles. 9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d’Ulisse. 10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence. 11. Mauro Calcagno. Otho’s Perspective, Seneca‘s Lesson: On Recent Stagings of L’incoronazione di Poppea. 12. Jane Glover. Conducting Monteverdi’s Venetian Operas.

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