Ashgate Interdisciplinary Studies in Opera – serie

Operatic Archive

American Opera as History

Claudio Monteverdi’s Venetian Operas

Sources, Performance, Interpretation

Masque and Opera in England, 1656-1688

Morality and Viennese Opera in the Age of Mozart and Beethoven

National Identity in Contemporary Australian Opera

Myths Reconsidered

Original Portrayal of Mozart’s Don Giovanni

Curating Opera

Reinventing the Past Through Museums of Opera and Art

Contextualizing Melodrama in the Czech Lands

In Concert and on Stage

Contextualizing Melodrama in the Czech Lands

In Concert and on Stage

Digital Scenography in Opera in the Twenty-First Century

Digital Scenography in Opera in the Twenty-First Century

Business of Opera

Grétry's Operas and the French Public

From the Old Regime to the Restoration

Curating Opera

Reinventing the Past Through Museums of Opera and Art

Performing Homer: The Voyage of Ulysses from Epic to Opera

English Dramatick Opera, 1661–1706

Puccini’s La fanciulla del West and American Musical Identity

Grand Theater of the World

Music, Space, and the Performance of Identity in Early Modern Rome

Grand Opera Outside Paris

Opera on the Move in Nineteenth-Century Europe

Musical Theatre, Realism and Entertainment

Opera as Soundtrack

Modernism and the Cult of Mountains: Music, Opera, Cinema

Opera Indigene: Re/presenting First Nations and Indigenous Cultures

Operas of Rameau

Genesis, Staging, Reception

Einstein on the Beach: Opera beyond Drama

Original Portrayal of Mozart’s Don Giovanni

Opera Outside the Box

Notions of Opera in Nineteenth-Century Britain

Opera Outside the Box

Notions of Opera in Nineteenth-Century Britain

Genre Beyond Borders

Reassessing Operetta