Christopher Dromey is Associate Professor in Music at Middlesex University, UK..Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of production company, Third Ear Music.

• IntroductionChris Dromey and Julia HaferkornI. Principles and Practices1. Classical Music, Copyright, and Collecting Societies? Brian Inglis 2. "Growing a Forest": The Changing Business of Classical Music Publishing Sarah Osborn3. Evolving Business Models in the Classical Record Industry Marius Carboni4. Managing Artists in the Classical Sector: Definitions and Challenges Atholl Swainston-Harrison 5. On Classical Music Competitions Glen Kwok and Christopher DromeyII. Identity and Diversity 6. Uncertain Capital: Class, Gender, and the "Imagined Futures" of Young Classical Musicians Anna Bull7. Inequalities in the Classical Music Industry: The Role of Subjectivity in Constructions of the "Ideal" Classical Musician Christina Scharff 8. Lifespan Perspective Theory and (Classical) Musicians’ Careers Dawn Bennett and Sophie Hennekam9. Reimagining Classical Music Performing Organisations for the Digital AgeBrian KavanaghIII. Challenges and Debates10. Is Classical Music a Living or Heritage Art Form? Susanna Eastburn11. Dancing to Another Tune: Classical Music in Nightclubs and Other Non-traditional Settings Julia Haferkorn 12. Curating Classical Music: Towards a Synergetic Concert Dramaturgy Masa Spaan13. Talking about Classical Music: Radio as Public Musicology Chris DromeyAppendix 1Keyword Survey of Verbal and Online Commentary, BBC Radio 3 and Classic FM, 1 March 2017.Bibliography Index

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Christopher Dromey is Associate Professor in Music at Middlesex University, UK..Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of production company, Third Ear Music.

• IntroductionChris Dromey and Julia HaferkornI. Principles and Practices1. Classical Music, Copyright, and Collecting Societies? Brian Inglis 2. "Growing a Forest": The Changing Business of Classical Music Publishing Sarah Osborn3. Evolving Business Models in the Classical Record Industry Marius Carboni4. Managing Artists in the Classical Sector: Definitions and Challenges Atholl Swainston-Harrison 5. On Classical Music Competitions Glen Kwok and Christopher DromeyII. Identity and Diversity 6. Uncertain Capital: Class, Gender, and the "Imagined Futures" of Young Classical Musicians Anna Bull7. Inequalities in the Classical Music Industry: The Role of Subjectivity in Constructions of the "Ideal" Classical Musician Christina Scharff 8. Lifespan Perspective Theory and (Classical) Musicians’ Careers Dawn Bennett and Sophie Hennekam9. Reimagining Classical Music Performing Organisations for the Digital AgeBrian KavanaghIII. Challenges and Debates10. Is Classical Music a Living or Heritage Art Form? Susanna Eastburn11. Dancing to Another Tune: Classical Music in Nightclubs and Other Non-traditional Settings Julia Haferkorn 12. Curating Classical Music: Towards a Synergetic Concert Dramaturgy Masa Spaan13. Talking about Classical Music: Radio as Public Musicology Chris DromeyAppendix 1Keyword Survey of Verbal and Online Commentary, BBC Radio 3 and Classic FM, 1 March 2017.Bibliography Index

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Christopher Dromey is Associate Professor in Music at Middlesex University, UK..Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of production company, Third Ear Music.

• IntroductionChris Dromey and Julia HaferkornI. Principles and Practices1. Classical Music, Copyright, and Collecting Societies? Brian Inglis 2. "Growing a Forest": The Changing Business of Classical Music Publishing Sarah Osborn3. Evolving Business Models in the Classical Record Industry Marius Carboni4. Managing Artists in the Classical Sector: Definitions and Challenges Atholl Swainston-Harrison 5. On Classical Music Competitions Glen Kwok and Christopher DromeyII. Identity and Diversity 6. Uncertain Capital: Class, Gender, and the "Imagined Futures" of Young Classical Musicians Anna Bull7. Inequalities in the Classical Music Industry: The Role of Subjectivity in Constructions of the "Ideal" Classical Musician Christina Scharff 8. Lifespan Perspective Theory and (Classical) Musicians’ Careers Dawn Bennett and Sophie Hennekam9. Reimagining Classical Music Performing Organisations for the Digital AgeBrian KavanaghIII. Challenges and Debates10. Is Classical Music a Living or Heritage Art Form? Susanna Eastburn11. Dancing to Another Tune: Classical Music in Nightclubs and Other Non-traditional Settings Julia Haferkorn 12. Curating Classical Music: Towards a Synergetic Concert Dramaturgy Masa Spaan13. Talking about Classical Music: Radio as Public Musicology Chris DromeyAppendix 1Keyword Survey of Verbal and Online Commentary, BBC Radio 3 and Classic FM, 1 March 2017.Bibliography Index

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