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A remarkable and wide-ranging examination of some of the crucial issues in film theory, drawing on the Foucauldian concepts of the dispositif and the episteme.
Maria Tortajada is professor in the Department of History and Aesthetics of Film at Université de Lausanne in Switzerland.
Acknowledgments, Introduction to an Epistemology of Viewing and Listening Dis 1 Epistemology, The 1900 Episteme1, Projected Cinema (A Hypothesis on the Cinema’s Imagination) , The Case for an Epistemography of Montage, The ‘Cinematographic Snapshot’, The Cinematograph versus Photography, or Cyclists and Time in the Work of Alfred Jarry , 2 Exhibition, Dynamic Paths of Thought , The Lecture, 3 Body and Voice, Dancing Dolls and Mechanical Eyes, From Broadcast Performance to Virtual Show, The Lecturer, the Image, the Machine and the Audio-Spectator , On the Singular Status of the Human Voice, About the Authors, Bibliography. Index of Names, Index of Titles, Index of Subjects.
