​Odile Ferly is Associate Professor of Francophone Studies at Clark University in Worcester, Massachusetts, USA. She is the author of A Poetics of Relation: Caribbean Women Writing at the Millennium (2012). Tegan Zimmerman is an Adjunct Professor in Women and Gender Studies at Saint Mary’s University, Canada, and an executive member of the Committee on Comparative Gender Studies within the International Comparative Literature Association.

• 1: Introduction: Chronotropics.- Part I: Defiances/Divergences/Digressions.- 2: Of Slave Ships as Chronotopes: Fabienne Kanor’s Humus and Yolanda Arroyo Pizarro’s Las Negras.- 3: Wreckognition: Archival Ruins in Dionne Brand’s The Blue Clerk.- 4: Past Histories and Present Realities: Reading Desire and Difference in Mayra Santos Febres’ Fe en disfraz.- 5: Haunting Genealogies: Indo-Caribbean Feminist Literary Reimaginings of the Monstrous Past.- Part II: Traumas/Restructures/Retracings.- 6: Connecting Diasporas: Reading Erna Brodber’s Work through African Fractal Theory.- 7: When the Tout-Monde is not one: Maryse Condé’s Problematic ‘World-in-Motion’ in Les belles ténébreuses (2008) and Le fabuleux et triste destin d’Ivan et Ivana (2017).- 8: Writing “In Transit”: Literary Constructions of Sovereignty in Julia Alvarez’s Afterlife.- Part III: Destruction/Desires/Disruptions.- 9: Beyond the Crossroad: Caribbean Environments, Gender and Race in Pauline Melville’s The Ventriloquist’s Taleand Elizabeth Nunez’s Prospero’s Daughter.- 10: Creolized Ecology in Mayra Montero’s Palm of Darkness.- 11: Canadian Re-mapping of Caribbean Desire in Nalo Hopkinson’s Sister Mine and Shani Mootoo’s He Drown She in the Sea.- Part IV: Bilocation/Inhabitations/(G)hostings.- 12: Spiritual Crossings: Olokún and Caribbean Futures Past in La mucama de Omicunlé by Rita Indiana Hernández.- 13: A Site of Memory: Revisiting (in) Gisèle Pineau’s Mes quatre femmes.-  14: At the Crossroads of History: The Cohabitation of Past and Present in Kettly Mars’s L’Ange du patriarche.- 15: Fiction as a Spider’s Web? Ananse, Tricksters, and Storytellers in Karen Lord’s Redemption in Indigo.

​Odile Ferly is Associate Professor of Francophone Studies at Clark University in Worcester, Massachusetts, USA. She is the author of A Poetics of Relation: Caribbean Women Writing at the Millennium (2012). Tegan Zimmerman is an Adjunct Professor in Women and Gender Studies at Saint Mary’s University, Canada, and an executive member of the Committee on Comparative Gender Studies within the International Comparative Literature Association.

• 1: Introduction: Chronotropics.- Part I: Defiances/Divergences/Digressions.- 2: Of Slave Ships as Chronotopes: Fabienne Kanor’s Humus and Yolanda Arroyo Pizarro’s Las Negras.- 3: Wreckognition: Archival Ruins in Dionne Brand’s The Blue Clerk.- 4: Past Histories and Present Realities: Reading Desire and Difference in Mayra Santos Febres’ Fe en disfraz.- 5: Haunting Genealogies: Indo-Caribbean Feminist Literary Reimaginings of the Monstrous Past.- Part II: Traumas/Restructures/Retracings.- 6: Connecting Diasporas: Reading Erna Brodber’s Work through African Fractal Theory.- 7: When the Tout-Monde is not one: Maryse Condé’s Problematic ‘World-in-Motion’ in Les belles ténébreuses (2008) and Le fabuleux et triste destin d’Ivan et Ivana (2017).- 8: Writing “In Transit”: Literary Constructions of Sovereignty in Julia Alvarez’s Afterlife.- Part III: Destruction/Desires/Disruptions.- 9: Beyond the Crossroad: Caribbean Environments, Gender and Race in Pauline Melville’s The Ventriloquist’s Taleand Elizabeth Nunez’s Prospero’s Daughter.- 10: Creolized Ecology in Mayra Montero’s Palm of Darkness.- 11: Canadian Re-mapping of Caribbean Desire in Nalo Hopkinson’s Sister Mine and Shani Mootoo’s He Drown She in the Sea.- Part IV: Bilocation/Inhabitations/(G)hostings.- 12: Spiritual Crossings: Olokún and Caribbean Futures Past in La mucama de Omicunlé by Rita Indiana Hernández.- 13: A Site of Memory: Revisiting (in) Gisèle Pineau’s Mes quatre femmes.-  14: At the Crossroads of History: The Cohabitation of Past and Present in Kettly Mars’s L’Ange du patriarche.- 15: Fiction as a Spider’s Web? Ananse, Tricksters, and Storytellers in Karen Lord’s Redemption in Indigo.

​Odile Ferly is Associate Professor of Francophone Studies at Clark University in Worcester, Massachusetts, USA. She is the author of A Poetics of Relation: Caribbean Women Writing at the Millennium (2012). Tegan Zimmerman is an Adjunct Professor in Women and Gender Studies at Saint Mary’s University, Canada, and an executive member of the Committee on Comparative Gender Studies within the International Comparative Literature Association.

• 1: Introduction: Chronotropics.- Part I: Defiances/Divergences/Digressions.- 2: Of Slave Ships as Chronotopes: Fabienne Kanor’s Humus and Yolanda Arroyo Pizarro’s Las Negras.- 3: Wreckognition: Archival Ruins in Dionne Brand’s The Blue Clerk.- 4: Past Histories and Present Realities: Reading Desire and Difference in Mayra Santos Febres’ Fe en disfraz.- 5: Haunting Genealogies: Indo-Caribbean Feminist Literary Reimaginings of the Monstrous Past.- Part II: Traumas/Restructures/Retracings.- 6: Connecting Diasporas: Reading Erna Brodber’s Work through African Fractal Theory.- 7: When the Tout-Monde is not one: Maryse Condé’s Problematic ‘World-in-Motion’ in Les belles ténébreuses (2008) and Le fabuleux et triste destin d’Ivan et Ivana (2017).- 8: Writing “In Transit”: Literary Constructions of Sovereignty in Julia Alvarez’s Afterlife.- Part III: Destruction/Desires/Disruptions.- 9: Beyond the Crossroad: Caribbean Environments, Gender and Race in Pauline Melville’s The Ventriloquist’s Taleand Elizabeth Nunez’s Prospero’s Daughter.- 10: Creolized Ecology in Mayra Montero’s Palm of Darkness.- 11: Canadian Re-mapping of Caribbean Desire in Nalo Hopkinson’s Sister Mine and Shani Mootoo’s He Drown She in the Sea.- Part IV: Bilocation/Inhabitations/(G)hostings.- 12: Spiritual Crossings: Olokún and Caribbean Futures Past in La mucama de Omicunlé by Rita Indiana Hernández.- 13: A Site of Memory: Revisiting (in) Gisèle Pineau’s Mes quatre femmes.-  14: At the Crossroads of History: The Cohabitation of Past and Present in Kettly Mars’s L’Ange du patriarche.- 15: Fiction as a Spider’s Web? Ananse, Tricksters, and Storytellers in Karen Lord’s Redemption in Indigo.