“The centering of molas and of Guna epistemologies, the radically de-colonial ways in which contributors came to the piece, and the deep process of vigilance and protection that went into the creation of Chocolate Woman Dreams the Milky Way are all deeply provocative and form a much-needed intervention in the fields of theatre, dance, and performance studies, as well as Indigenous and anti/post-colonial studies.”—Julie Burelle, University of California San Diego
