Theater: Theory/Text/Performance – serie

Sails of the Herring Fleet

Essays on Beckett

Beckett Canon

Playing Underground

A Critical History of the 1960s Off-Off-Broadway Movement

Artaud and His Doubles

Cutting Performances

Collage Events, Feminist Artists, and the American Avant-Garde

Sarah Siddons Audio Files

Romanticism and the Lost Voice

Passionate Amateurs

Theatre, Communism, and Love

Scenes from Bourgeois Life

President Electric

Ronald Reagan and the Politics of Performance

Embodying Black Experience

Stillness, Critical Memory, and the Black Body

No Safe Spaces

Re-casting Race, Ethnicity, and Nationality in American Theater

Problem of the Color[blind]

Racial Transgression and the Politics of Black Performance

Paul Robeson and the Cold War Performance Complex

Race, Madness, Activism

Dark Matter

Invisibility in Drama, Theater, and Performance

Acts

Theater, Philosophy, and the Performing Self

Simming

Participatory Performance and the Making of Meaning

Captive Stage

Performance and the Proslavery Imagination of the Antebellum North

Coloring Whiteness

Acts of Critique in Black Performance

After Live

Possibility, Potentiality, and the Future of Performance

Alienation Effects

Performance and Self-Management in Yugoslavia, 1945-91

Long Suffering

American Endurance Art as Prophetic Witness

Haunted City

Three Centuries of Racial Impersonation in Philadelphia

Performing the Intercultural City

Microdramas

Crucibles for Theater and Time

Gaming the Stage

Playable Media and the Rise of English Commercial Theater

Performance Constellations

Networks of Protest and Activism in Latin America

Performance and the Afterlives of Injustice

Democracy Moving

Bill T. Jones, Contemporary American Performance, and the Racial Past

Racing the Great White Way

Black Performance, Eugene O’Neill, and the Transformation of Broadway