Buzz Busby

Nyhet

Father of Washington, DC, Bluegrass

Inbunden, Engelska, 2026

2 629 kr

Kommande

Buzz Busby's move to Washington, D.C., in 1951 helped launch bluegrass in the nation's capital while the intensity of his mandolin playing drew raves for its unrelenting pace and innovative style. His high lonesome singing rivaled that of Bill Monroe. Kip Lornell and Tom Mindte draw on interviews and some fifty hours of Busby speaking about his life to tell the story of a largely forgotten bluegrass virtuoso. Busby and his band the Bayou Boys stood front and center on a mid-1950s D.C.-area TV show that, though short-lived, catalyzed the formation of the city's bluegrass community. Time with the Louisiana Hayride and classic if little-heard bluegrass sides like "Lonesome Wind" seemed to promise a bright future. But a devastating car wreck and a host of legal and personal troubles triggered a long decline into drug and alcohol abuse that undermined Busby's career and led him to sum up, "I started at the top and diligently worked my way to the bottom." Entertaining and vivid, Buzz Busby tells the story of a musician's musician and his hardscrabble life in bluegrass.

Produktinformation

Utgivningsdatum2026-06-23
Mått152 x 229 x undefined mm
FormatInbunden
SpråkEngelska
SerieMusic in American Life
Antal sidor288
FörlagUniversity of Illinois Press
ISBN9780252049873

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Kip Lornell is Professor Emeritus of Music History and Culture at George Washington University. He is the author of Capital Bluegrass: Hillbilly Music Meets Washington, DC and Exploring American Folk Music: Ethnic, Grassroots, and Regional Traditions in the United States, and coauthor of The Life and Legend of Leadbelly. Tom Mindte is a musician, performer, record producer, and head of Patuxent Music. A former bandmate of Buzz Busby, Mindte has also produced 300 bluegrass, jazz, folk, and blues albums.

"Buzz Busby approached performance and life with maximum intensity. Kip Lornell and Tom Mindte's definitive biography captures both the tragedy that hobbled his career and the artistry that made him a cult figure among bluegrass aficionados." —Fred Bartenstein, coeditor of Industrial Strength Bluegrass: Southwestern Ohio's Musical Legacy "Finally, an in-depth account of this hugely talented but troubled bluegrass pioneer. Straightforwardly written, it often includes his own down-to-earth recollections." —Tom Ewing, author of Bill Monroe: The Life and Music of the Blue Grass Man