Audiovisual Translation in a Global Context

Rocío Baños Piñero, University College London, UKMercedes de Castro, University Complutense of Madrid, SpainAntonio Javier Chica Nuñez, University Pablo de Olavide in Seville, SpainJorge Díaz Cintas, University College London, UKEliana Paes Cardoso, Federal University of Bahia, Salvador, BrazilAdrián Fuentes-Luque, Universidad Pablo de Olavide in Seville, SpainAgata Ho?obut, Jagiellonian University, PolandEmilia Iglesias Fernández, Universidad de Granada, SpainArista Szu-Yu Kuo, Nanyang Technological University, SingaporeDawning Leung, University College London, UKJuan Martínez Pérez, Universitat Autònoma de Barcelona, SpainSilvia Martínez Martínez, University de Granada, SpainDeise Mônica Medina Silveira, Federal University of Bahia, BrazilRegina Mendes, Faculdade CCAA, BrazilRenata Mliczak, University College London, UKKristijan Nikoli?, University of Vienna, AustriaLuis Puente Rodríguez, Universidad Politécnica de Madrid, SpainPablo Romero-Fresco, University of Roehampton, London, UKBelén Ruiz Mezcua, Universidad Politécnica de Madrid, SpainNicolas Sanchez, Independent ScholarBárbara Cristina dos Santos Carneiro, Federal University of Bahia, BrazilCristina Valdés, University of Oviedo, SpainSerenella Zanotti, Roma Tre University, Italy

• 1. Introduction; Rocio Banos Pinero and Jorge Diaz Cintas PART I: ADDRESSING QUALITY 2. Institutional Audiovisual Translation: A (Shop) Window on the World; Adrian Fuentes-Luque 3. Accuracy Rate in Live Subtitling: The NER Model; Pablo Romero-Fresco and Juan Martinez Perez 4. Synchronized Subtitles in Live Television Programmes; Mercedes de Castro, Luis Puente Rodriguez and Belen Ruiz Mezcua 5. Cross-fertilization between Reception Studies in Audio Description and Interpreting Quality Assessment: The Role of the Describer's Voice; Emilia Iglesias Fernandez, Silvia Martinez Martinez and Antonio Javier Chica Nunez PART II: TARGETING THE AUDIENCE 6. Audio Describing for an Audience with Learning Disabilities in Brazil: A Pilot Study; Eliana P. C. Franco, Deise M. Medina Silveira and Barbara C. dos Santos Carneiro 7. Analysing Redubs: Motives, Agents and Audience Response; Serenella Zanotti 8. Subtitling in the Era of the Blu-ray; Nicolas Sanchez 9. The MultilingualWeb (MLW) Project: A Collaborative Approach and a Challenge for Translation Studies; Cristina Valdes PART III: MAPPING PROFESSIONAL PRACTICES 10. Professional Realities of the Subtitling Industry: The Subtitlers' Perspective; Arista Szu-Yu Kuo 11. The Pros and Cons of Using Templates in Subtitling; Kristijan Nikolic 12. Signing and Subtitling on Polish Television: A Case of (In)accessibility; Renata Mliczak 13. Voiceover as Spoken Discourse; Agata Holobut 14. Dubbing Directors and Dubbing Actors: Co-authors of Translation for Dubbing; Regina Mendes 15. Audio Description in Hong Kong; Dawning Leung

"Delving into topics of paramount importance in audiovisual translation such as quality, audiences and professional practices, this collective volume offers a stimulating overview of the global audiovisual landscape. Through contributions investigating various modes, contexts and genres, the volume provides an invaluable insight into under-researched issues and realities, showing how technology, commercial aspects and audience preferences, among other factors, are noticeably changing the current landscape."-Professor Frederic Chaume, Universitat Jaume I, Spain"This volume contains state-of-the art research on audiovisual translation and accessibility. It displays many fresh views from both new and established scholars in the field and demonstrates the importance of looking at these areas from a global perspective, as it investigates quality, audience design and professional practices, and shows the importance of context in translation studies."-Dr Jan Pedersen, Stockholm University, Sweden