Del 0 - Critical and Cultural Musicology

Arts Entwined

Music and Painting in the Nineteenth Century

Inbunden, Engelska, 1999

AvMarsha Morton,Peter L. Schmunk,Marsha L. Morton

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This collection of essays by musicologists and art historians explores the reciprocal influences between music and painting during the nineteenth century, a critical period of gestation when instrumental music was identified as the paradigmatic expressive art and theoretically aligned with painting in the formulation utpictura musica (as with music, so with painting). Under music's influence, painting approached the threshold of abstraction; concurrently many composers cultivated pictorial effects in their music. Individual essays address such themes as visualization in music, the literary vs. pictorial basis of the symphonic poem, musical pictorialism in painting and lithography, and the influence of Wagner on the visual arts. In these and other ways, both composers and painters actively participated in interarts discourses in seeking to redefine the very identity and aims of their art. Also includes 17 musical examples.

Produktinformation

Utgivningsdatum1999-12-01
Mått138 x 216 x 19 mm
Vikt620 g
FormatInbunden
SpråkEngelska
SerieCritical and Cultural Musicology
Antal sidor250
FörlagTaylor & Francis Inc
ISBN9780815331568

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur
Konsthistoria inom Kultur
Konstböcker inom Kultur

This collection of essays by musicologists and art historians explores the reciprocal influences between music and painting during the nineteenth century, a critical period of gestation when instrumental music was identified as the paradigmatic expressive art and theoretically aligned with painting in the formulation ut pictura musica (as with music, so with painting). Under music's influence, painting approached the threshold of abstraction; concurrently many composers cultivated pictorial effects in their music. Individual essays address such themes as visualization in music, the literary vs. pictorial basis of the symphonic poem, musical pictorialism in painting and lithography, and the influence of Wagner on the visual arts. In these and other ways, both composers and painters actively participated in interarts discourses in seeking to redefine the very identity and aims of their art.