Constructing Race on the Borders of Europe

Marsha Morton is Professor of Art History at Pratt Institute, USA. A specialist in German and Austrian cultural history with a focus on interdisciplinary topics of art, anthropology, science, and music, her books include Max Klinger and Wilhelmine Culture (2014) and the co-edited anthology The Arts Entwined (2000). She is also a co-editor and contributing author to Visual Culture and Pandemic Disease Since 1750: Capturing Contagion (2023).Barbara Larson is Professor of Modern European Art History in the Art and Design Department of the University of West Florida, USA. She is author of The Dark Side of Nature: Science, Society and the Fantastic in the Work of Odilon Redon (2005) and lead editor of The Art of Evolution: Darwin, Darwinisms, and Visual Culture (2009) and Darwin and Theories of Aesthetics and Cultural History (2013).

• List of PlatesList of FiguresList of ContributorsIntroduction, Marsha Morton (Pratt Institute, USA)1. From Folk to a Folk Race: Carl Arbo and National Romantic Anthropology in Norway, Patricia G. Berman (Wellesley College, USA)2. From “Northern Dweller” to “Distinguished Among His Race”: The Transformation of the Nordic Colonial Subject, 1900-1935, Bart Pushaw (University of Maryland, USA)3. Decolonizing the Archive: Pia Arke and Stories from Scoresbysund, Alison Chang (Independent Curator, USA)4. Brigands and Virtuous Musicians: Representations of Roma (“Gypsies”) as Oriental Other in the Eastern Part of the Habsburg Monarchy during the Eighteenth and Nineteenth Centuries, Robert Born (University of Leipzig, Germany) and Dirk Suckow (University of Leipzig, Germany)5. Leopold Carl Müller’s Scenes from Egyptian Life: Ethnography, Race, and Orientalism in Habsburg Vienna, Marsha Morton (Pratt Institute, USA)6. A Hungarian Treasure Chest: The Art Colony at Gödöllo in Critical Perspective, Rebecca Houze (Northern Illinois University, USA)7. The Journey West: Gauguin, Philology, And the Celts of Brittany, Barbara Larson (The University of West Florida, USA)8. In the Beginning was the Image: Russian Ethnography and Colonial Photography in Turkestan, 1860s–1870s, Margaret Dikovitskaya (Independent Scholar, USA)9. “Children of the Narod: Early Soviet Children’s Books’ Racialization of Childhood”, Marie Gasper-Hulvat (Kent State University, USA)10. From Sideshow to Portrait: The Ethnographic Vision of Christian Schad, Kristin Schroeder (University of Virginia, USA)11. Anthropological Histories and Techniques in Philip Scheffner’s Films, Priyanka Basu (University of Minnesota, USA)Index

[T]he narrow focus of each chapter essay builds both a satisfyingly comprehensive and very specific picture ofthe social and cultural histories of countries at the Continental margins.