Charlotte Gould is Assistant Professor of British Studies at Sorbonne Nouvelle University in Paris, France.

• Introduction 1. Post-Consensus Cultural Policies and the Hybridisation of Funding: A British Model 2. Artangel, Producing Art in the Post-Consensus Age 3. The Public Art of Artangel 4. Dissemination, the New Sites of Art Conclusion

"The book’s main value ... lies in its ability to convey the thriving and innovative art scene of Britain, of London in particular, in the last three decades, and to highlight its connections with changing socio-economic conditions, ideological commitments and cultural policies. As such, it raises many compelling issues for anyone with an interest in contemporary art, British cultural policies, and also contemporary British society."--Miranda"Navigating between the cultural policy and art theory literatures, Gould’s take on the success story of Artangel adroitly sheds light on the interaction between aesthetic creativity and socioeconomic structures at a time of significant changes in the British cultural and socio-political landscape."--Cercles

Charlotte Gould is Assistant Professor of British Studies at Sorbonne Nouvelle University in Paris, France.

• Introduction 1. Post-Consensus Cultural Policies and the Hybridisation of Funding: A British Model 2. Artangel, Producing Art in the Post-Consensus Age 3. The Public Art of Artangel 4. Dissemination, the New Sites of Art Conclusion

"The book’s main value ... lies in its ability to convey the thriving and innovative art scene of Britain, of London in particular, in the last three decades, and to highlight its connections with changing socio-economic conditions, ideological commitments and cultural policies. As such, it raises many compelling issues for anyone with an interest in contemporary art, British cultural policies, and also contemporary British society."--Miranda"Navigating between the cultural policy and art theory literatures, Gould’s take on the success story of Artangel adroitly sheds light on the interaction between aesthetic creativity and socioeconomic structures at a time of significant changes in the British cultural and socio-political landscape."--Cercles

Charlotte Gould is Assistant Professor of British Studies at Sorbonne Nouvelle University in Paris, France.

• Introduction 1. Post-Consensus Cultural Policies and the Hybridisation of Funding: A British Model 2. Artangel, Producing Art in the Post-Consensus Age 3. The Public Art of Artangel 4. Dissemination, the New Sites of Art Conclusion

"The book’s main value ... lies in its ability to convey the thriving and innovative art scene of Britain, of London in particular, in the last three decades, and to highlight its connections with changing socio-economic conditions, ideological commitments and cultural policies. As such, it raises many compelling issues for anyone with an interest in contemporary art, British cultural policies, and also contemporary British society."--Miranda"Navigating between the cultural policy and art theory literatures, Gould’s take on the success story of Artangel adroitly sheds light on the interaction between aesthetic creativity and socioeconomic structures at a time of significant changes in the British cultural and socio-political landscape."--Cercles