Kate Holterhoff received her doctorate from Carnegie Mellon University and is currently an Affiliated Researcher at the Georgia Institute of Technology.

• Introduction 1. Picturing the Past in Robert Louis Stevenson’s Historical Romances 2. From Visual Irony to Caricature: Expressive Animals in Rudyard Kipling’s Children’s Fiction 3. Desiring African Women in H. Rider Haggard’s Adventure Fiction 4. Picturing Machines in H. G. Wells’s Scientific Romances 5. A Cannibal Vision: Horror, Harper’s Weekly, and James De Mille’s A Strange Manuscript Found in a Copper Cylinder

Kate Holterhoff received her doctorate from Carnegie Mellon University and is currently an Affiliated Researcher at the Georgia Institute of Technology.

• Introduction 1. Picturing the Past in Robert Louis Stevenson’s Historical Romances 2. From Visual Irony to Caricature: Expressive Animals in Rudyard Kipling’s Children’s Fiction 3. Desiring African Women in H. Rider Haggard’s Adventure Fiction 4. Picturing Machines in H. G. Wells’s Scientific Romances 5. A Cannibal Vision: Horror, Harper’s Weekly, and James De Mille’s A Strange Manuscript Found in a Copper Cylinder

Kate Holterhoff received her doctorate from Carnegie Mellon University and is currently an Affiliated Researcher at the Georgia Institute of Technology.

• Introduction 1. Picturing the Past in Robert Louis Stevenson’s Historical Romances 2. From Visual Irony to Caricature: Expressive Animals in Rudyard Kipling’s Children’s Fiction 3. Desiring African Women in H. Rider Haggard’s Adventure Fiction 4. Picturing Machines in H. G. Wells’s Scientific Romances 5. A Cannibal Vision: Horror, Harper’s Weekly, and James De Mille’s A Strange Manuscript Found in a Copper Cylinder