Berthold Hoeckner is Associate Professor of Music and the Humanities at the University of Chicago. He is the author of Programming the Absolute: Nineteenth-Century GermanMusic and the Hermeneutics of the Moment.

• Introduction by Berthold Hoeckner Chapter 1 Drifting: The Dialectics of Adorno's Philosophy of New Music Daniel Chua Chapter 2 Labor and Metaphysics in Hindemith's and Adorno's Prescriptions on Counterpoint Keith Chapin Chapter 3 Frankfurt School Blues: Rethinking Adorno's Critique of Jazz James Buhler Chapter 4 'Die Zerstörung der Symphonie': Adorno and the Theory of Radio Larson Powell Chapter 5 Music, Corporate Power, and the Age of the Unending War Martin Scherzinger Chapter 6 Dire cela, sans savoir quoi . The question of meaning in Adorno and in the Musical Avantgarde Gianmario Borio Chapter 7 'The Elliptical Geometry of Utopia': New Music since Adorno Julian Johnson Chapter 8 Wolfgang Rihm and the Adorno Legacy Alastair Williams Notes Index

Berthold Hoeckner is Associate Professor of Music and the Humanities at the University of Chicago. He is the author of Programming the Absolute: Nineteenth-Century GermanMusic and the Hermeneutics of the Moment.

• Introduction by Berthold Hoeckner Chapter 1 Drifting: The Dialectics of Adorno's Philosophy of New Music Daniel Chua Chapter 2 Labor and Metaphysics in Hindemith's and Adorno's Prescriptions on Counterpoint Keith Chapin Chapter 3 Frankfurt School Blues: Rethinking Adorno's Critique of Jazz James Buhler Chapter 4 'Die Zerstörung der Symphonie': Adorno and the Theory of Radio Larson Powell Chapter 5 Music, Corporate Power, and the Age of the Unending War Martin Scherzinger Chapter 6 Dire cela, sans savoir quoi . The question of meaning in Adorno and in the Musical Avantgarde Gianmario Borio Chapter 7 'The Elliptical Geometry of Utopia': New Music since Adorno Julian Johnson Chapter 8 Wolfgang Rihm and the Adorno Legacy Alastair Williams Notes Index

Berthold Hoeckner is Associate Professor of Music and the Humanities at the University of Chicago. He is the author of Programming the Absolute: Nineteenth-Century GermanMusic and the Hermeneutics of the Moment.

• Introduction by Berthold Hoeckner Chapter 1 Drifting: The Dialectics of Adorno's Philosophy of New Music Daniel Chua Chapter 2 Labor and Metaphysics in Hindemith's and Adorno's Prescriptions on Counterpoint Keith Chapin Chapter 3 Frankfurt School Blues: Rethinking Adorno's Critique of Jazz James Buhler Chapter 4 'Die Zerstörung der Symphonie': Adorno and the Theory of Radio Larson Powell Chapter 5 Music, Corporate Power, and the Age of the Unending War Martin Scherzinger Chapter 6 Dire cela, sans savoir quoi . The question of meaning in Adorno and in the Musical Avantgarde Gianmario Borio Chapter 7 'The Elliptical Geometry of Utopia': New Music since Adorno Julian Johnson Chapter 8 Wolfgang Rihm and the Adorno Legacy Alastair Williams Notes Index