Berthold Hoeckner is Associate Professor of Music and the Humanities at the University of Chicago. He is the author of Programming the Absolute: Nineteenth-Century GermanMusic and the Hermeneutics of the Moment.

• Introduction by Berthold HoecknerChapter 1 Drifting: The Dialectics of Adorno's Philosophy of New Music Daniel Chua Chapter 2 Labor and Metaphysics in Hindemith's and Adorno's Prescriptions on CounterpointKeith ChapinChapter 3 Frankfurt School Blues: Rethinking Adorno's Critique of Jazz James BuhlerChapter 4 'Die Zerstörung der Symphonie': Adorno and the Theory of RadioLarson PowellChapter 5 Music, Corporate Power, and the Age of the Unending WarMartin ScherzingerChapter 6 Dire cela, sans savoir quoi. The question of meaning in Adorno and in the Musical Avantgarde Gianmario BorioChapter 7 'The Elliptical Geometry of Utopia': New Music since AdornoJulian JohnsonChapter 8 Wolfgang Rihm and the Adorno LegacyAlastair WilliamsNotesIndex

Berthold Hoeckner is Associate Professor of Music and the Humanities at the University of Chicago. He is the author of Programming the Absolute: Nineteenth-Century GermanMusic and the Hermeneutics of the Moment.

• Introduction by Berthold HoecknerChapter 1 Drifting: The Dialectics of Adorno's Philosophy of New Music Daniel Chua Chapter 2 Labor and Metaphysics in Hindemith's and Adorno's Prescriptions on CounterpointKeith ChapinChapter 3 Frankfurt School Blues: Rethinking Adorno's Critique of Jazz James BuhlerChapter 4 'Die Zerstörung der Symphonie': Adorno and the Theory of RadioLarson PowellChapter 5 Music, Corporate Power, and the Age of the Unending WarMartin ScherzingerChapter 6 Dire cela, sans savoir quoi. The question of meaning in Adorno and in the Musical Avantgarde Gianmario BorioChapter 7 'The Elliptical Geometry of Utopia': New Music since AdornoJulian JohnsonChapter 8 Wolfgang Rihm and the Adorno LegacyAlastair WilliamsNotesIndex

Berthold Hoeckner is Associate Professor of Music and the Humanities at the University of Chicago. He is the author of Programming the Absolute: Nineteenth-Century GermanMusic and the Hermeneutics of the Moment.

• Introduction by Berthold HoecknerChapter 1 Drifting: The Dialectics of Adorno's Philosophy of New Music Daniel Chua Chapter 2 Labor and Metaphysics in Hindemith's and Adorno's Prescriptions on CounterpointKeith ChapinChapter 3 Frankfurt School Blues: Rethinking Adorno's Critique of Jazz James BuhlerChapter 4 'Die Zerstörung der Symphonie': Adorno and the Theory of RadioLarson PowellChapter 5 Music, Corporate Power, and the Age of the Unending WarMartin ScherzingerChapter 6 Dire cela, sans savoir quoi. The question of meaning in Adorno and in the Musical Avantgarde Gianmario BorioChapter 7 'The Elliptical Geometry of Utopia': New Music since AdornoJulian JohnsonChapter 8 Wolfgang Rihm and the Adorno LegacyAlastair WilliamsNotesIndex