Visual Cultures and German Contexts – serie

How to Make the Body

Difference, Identity, and Embodiment

Curating Transcultural Spaces

Perspectives on Postcolonial Conflicts in Museum Culture

Curating Transcultural Spaces

Perspectives on Postcolonial Conflicts in Museum Culture

Material Modernity

Innovations in Art, Design, and Architecture in the Weimar Republic

Herbert Bayer, Graphic Designer

From the Bauhaus to Berlin, 1921–1938

Art and Resistance in Germany

Jeanne Mammen

Art Between Resistance and Conformity in Modern Germany, 1916–1950

Jeanne Mammen

Art Between Resistance and Conformity in Modern Germany, 1916–1950

Single People and Mass Housing in Germany, 1850–1930

(No)Home Away from Home

Photofascism

Photography, Film, and Exhibition Culture in 1930s Germany and Italy

German Colonialism in Africa and its Legacies

Architecture, Art, Urbanism, and Visual Culture

German Colonialism in Africa and its Legacies

Architecture, Art, Urbanism, and Visual Culture

Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-1936

Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-1936

Babylon Berlin, German Visual Spectacle, and Global Media Culture

Babylon Berlin, German Visual Spectacle, and Global Media Culture

Berlin Contemporary

Architecture and Politics After 1990

Modernist Aesthetics in Transition

Visual Culture of the Weimar Republic and Nazi Germany

Modernist Aesthetics in Transition

Visual Culture of the Weimar Republic and Nazi Germany

Erotic Art in Modern Germany

Visual Cultures of Sex, 1871-1945

Picturing Health and Illness in Northern Europe

Medicine, Art, and the Body, 1880-1930

Single People and Mass Housing in Germany, 1850-1930

Bauhaus Bodies

Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School

Bauhaus Bodies

Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School