Transmedia – serie

Adaptation in the Age of Media Convergence

Doctor Who and Gay Male Fandom

A Queer(ed) Transmedia Franchise

Fanfiction and the Author

How Fanfic Changes Popular Cultural Texts

Fanvids

Television, Women, and Home Media Re-Use

Film Authorship in Contemporary Transmedia Culture

The Paratextual Lives of Asian Auteurs

Making European Cult Cinema

Fan Enterprise in an Alternative Economy

Music Generations in the Digital Age

Social Practices of Listening and Idols in Japan

Productive Fandom

Intermediality and Affective Reception in Fan Cultures

Theme Park Fandom

Spatial Transmedia, Materiality and Participatory Cultures

Theoretical Perspectives on Fan Scholarship in the Franchise Era

Transmedia Terrors in Post-TV Horror

Digital Distribution, Abject Spectrums, and Participatory Cultures

Understanding The Simpsons

Animating the Politics and Poetics of Participatory Culture

World Building

Transmedia, Fans, Industries

Danmei Culture in Chinese Media and Society

Male-Male Romance, Resistance and Representation

World Building

Transmedia, Fans, Industries

Productive Fandom

Intermediality and Affective Reception in Fan Cultures

Making European Cult Cinema

Fan Enterprise in an Alternative Economy

Fanfiction and the Author

How Fanfic Changes Popular Cultural Texts

Theme Park Fandom

Spatial Transmedia, Materiality and Participatory Cultures

Adaptation in the Age of Media Convergence

Music Generations in the Digital Age

Social Practices of Listening and Idols in Japan

Fanvids

Television, Women, and Home Media Re-Use

Star Wars and the History of Transmedia Storytelling

Film Authorship in Contemporary Transmedia Culture

The Paratextual Lives of Asian Auteurs

Understanding The Simpsons

Animating the Politics and Poetics of Participatory Culture

Affect in Fandom

Fan Creators and Productivity

Theoretical Perspectives on Fan Scholarship in the Franchise Era

Transmedia Archaeology of Film Promotion Online

Horror Ballyhoo and Fantastic Nostalgia

Transmedia Terrors in Post-TV Horror

Digital Distribution, Abject Spectrums, and Participatory Cultures