Theory and Interpretation of Narrative – serie

New Anatomy of Storyworlds

What Is, What If, as If

Narrative Theory Unbound

Queer and Feminist Interventions

Narrative Sequence in Contemporary Narratology

Writer in the Well

On Misreading and Rewriting Literature

Novelization

From Film to Novel

Making Conversation in Modernist Fiction

Playing at Narratology

Digital Media as Narrative Theory

Poetics of Plot for the Twenty-First Century

Theorizing Unruly Narratives

Unnatural Narratology

Extensions, Revisions, and Challenges

Environment and Narrative

New Directions in Econarratology

Debating Rhetorical Narratology

On the Synthetic, Mimetic, and Thematic Aspects of Narrative

We-Narratives

Collective Storytelling in Contemporary Fiction

Contemporary French and Francophone Narratology

Digital Fiction and the Unnatural

Transmedial Narrative Theory, Method, and Analysis

Narrative Bonds

Multiple Narrators in the Victorian Novel

Audionarratology

Lessons from Radio Drama

With Bodies

Narrative Theory and Embodied Cognition

Fictionality and Literature

Core Concepts Revisited

Experiencing Visual Storyworlds

Focalization in Comics

Narrative in the Anthropocene

Becoming Pynchon

Genetic Narratology and V.

Post-Postmodernist Fiction and the Rise of Digital Epitexts

Story of Fictional Truth

Realism from the Death to the Rise of the Novel

Deformative Fictions

Cruelty and Narrative Ethics in Twentieth-Century Latin American Literature

Slow Narrative Across Media

Never on Time, Always in Time

Narrative Form and the Queer Sensorium

Contemporary Feminist Fiction and a Case for Expanding Rhetorical Narratology

Narrative Dynamics

Essays on Time, Plot, Closure, and Frame

Having a Good Cry

Effeminate Feelings and Pop-Culture Forms