Television and Popular Culture – serie

Lou Grant

The Making of TV's Top Newspaper Drama

TV on Strike

Why Hollywood Went to War Over the Internet

Television's Second Golden Age

From Hill Street Blues to ER

Framework

A History of Screenwriting in the American Film, Third Edition

King of the Half Hour

Nat Hiken and the Golden Age of Comedy

Starting Your Television Writing Career

The Warner Bros. Television Writers Workshop Guide

Something on My Own

Gertrude Berg and American Broadcasting, 1929â€"1956

Our Movie Houses

A History of Film and Cinematic Innovation in Central New York

Watching TV with a Linguist

Watching TV

American Television Season by Season, Fourth Edition

This Came to You from Chicago

Local Television in the Twentieth Century

Prime Time Authorship

Works About and by Three TV Dramatists

Critiquing the Sitcom

A Reader

Athena's Daughters

Television's New Women Warriors

West Wing

The American Presidency As Television Drama

Captain America, Masculinity, and Violence

The Evolution of a National Icon

You Can't Air That

Four Cases of Controversy and Censorship in American Television Programming

Screwball Television

Critical Perspectives on Gilmore Girls

Captain America, Masculinity, and Violence

The Evolution of a National Icon

Bigger Than Ben-Hur

The Book, Its Adaptations, and Their Audiences

Watching TV

Eight Decades of American Television

Watching TV with a Linguist

Inside the TV Writer's Room

Practical Advice for Succeeding in Television

Screwball Television

Critical Perspectives on Gilmore Girls

Television Finales

From Howdy Doody to Girls

Becoming

Genre, Queerness, and Transformation in NBC's Hannibal

Gladiators in Suits

Race, Gender, and the Politics of Representation in Scandal

Becoming

Genre, Queerness, and Transformation in NBC's Hannibal

Gladiators in Suits

Race, Gender, and the Politics of Representation in Scandal