SUNY series in Psychoanalysis and Culture – serie

Reading Seminar XI

Lacan's Four Fundamental Concepts of Psychoanalysis: The Paris Seminars in English

Transferring to America

Jewish Interpretations of American Dreams

Reading Seminars I and II

Lacan's Return to Freud

Five Lessons on the Psychoanalytic Theory of Jacques Lacan

Levinas and Lacan

The Missed Encounter

Return of the Repressed

Gothic Horror from The Castle of Otranto to Alien

Wounded Body

Remembering the Markings of Flesh

other Side of Desire

Lacan's Theory of the Registers

Writing Prejudices

The Psychoanalysis and Pedagogy of Discrimination from Shakespeare to Toni Morrison

Joy and the Objects of Psychoanalysis

Literature, Belief, and Neurosis

Disappearing Persons

Shame and Appearance

Incorporating Cultural Theory

Maternity at the Millennium

Reading Seminar XX

Lacan's Major Work on Love, Knowledge, and Feminine Sexuality

After Lacan

Clinical Practice and the Subject of the Unconscious

Ethical Dimension of Psychoanalysis

A Dialogue

Remaking the Frankenstein Myth on Film

Between Laughter and Horror

Book of Love and Pain

Thinking at the Limit with Freud and Lacan

End of Dissatisfaction?

Jacques Lacan and the Emerging Society of Enjoyment

Celluloid Couches, Cinematic Clients

Psychoanalysis and Psychotherapy in the Movies

Risking Difference

Identification, Race, and Community in Contemporary Fiction and Feminism

Theatres of Human Sacrifice

From Ancient Ritual to Screen Violence

Beyond Lacan

Sex, Paranoia, and Modern Masculinity

Later Lacan

An Introduction

Real Gaze

Film Theory after Lacan

Desire of the Analysts

Psychoanalysis and Cultural Criticism

Desire of the Analysts

Psychoanalysis and Cultural Criticism

World of Fragile Things

Psychoanalysis and the Art of Living

Psyche and Text

The Sublime and the Grandiose in Literature, Psychopathology, and Culture