Studies in Performance and Early Modern Drama – serie

Teachers in Early Modern English Drama

Pedagogy and Authority

Desires of Credit in Early Modern Theory and Drama

Commerce, Poesy, and the Profitable Imagination

Venus’s Palace

Shakespeare and the Antitheatricalists

Imitation and Contamination of the Classics in the Comedies of Ben Jonson

Guides Not Commanders

Shakespeare and (Eco-)Performance History

The Merry Wives of Windsor

Shakespeare and (Eco-)Performance History

The Merry Wives of Windsor

Imitation and Contamination of the Classics in the Comedies of Ben Jonson

Guides Not Commanders

Strangeness in Jacobean Drama

Strangeness in Jacobean Drama

Shakespeare’s Hobby-Horse and Early Modern Popular Culture

Shakespeare’s Hobby-Horse and Early Modern Popular Culture

Self-Centred Art

Ben Jonson's Parts in Performance

Self-Centred Art

Ben Jonson's Parts in Performance

Dance Lexicon in Shakespeare and His Contemporaries

A Corpus Based Approach

Dance Lexicon in Shakespeare and His Contemporaries

A Corpus Based Approach

Consent in Shakespeare

What Women Do and Don’t Say and Do in Shakespeare’s Mediterranean Comedies and Origin Stories

Consent in Shakespeare

What Women Do and Don’t Say and Do in Shakespeare’s Mediterranean Comedies and Origin Stories

Portraits in Early Modern English Drama

Visual Culture, Play-Texts, and Performances

Representations of Flemish Immigrants on the Early Modern Stage

Drama and the Politics of Generational Conflict in Shakespeare's England

Children's Troupes and the Transformation of English Theater 1509-1608

Pedagogue, Playwrights, Playbooks, and Play-boys

James Shirley and Early Modern Theatre

New Critical Perspectives

Restoration Staging, 1660-74

Digital Humanities and the Lost Drama of Early Modern England

Ten Case Studies

Tragedy and Trauma in the Plays of Christopher Marlowe

Christopher Marlowe and the Failure to Unify

Masks and Masking in Medieval and Early Tudor England

Cymbeline

Constructions of Britain

Staging Spectatorship in the Plays of Philip Massinger