Studies in Medieval Romance – serie

Orient in Chaucer and Medieval Romance

Idea of Anglo-Saxon England in Middle English Romance

Guy of Warwick: Icon and Ancestor

Sea and Medieval English Literature

Boundaries in Medieval Romance

Naming and Namelessness in Medieval Romance

Companion to Medieval Popular Romance

Expectations of Romance

The Reception of a Genre in Medieval England

Exploitations of Medieval Romance

Magic and the Supernatural in Medieval English Romance

Medieval Romance, Medieval Contexts

Companion to Medieval Popular Romance

Women's Power in Late Medieval Romance

Heroes and Anti-Heroes in Medieval Romance

Performance and the Middle English Romance

Medieval Romance and Material Culture

Middle English Romance and the Craft of Memory

Heroes and Anti-Heroes in Medieval Romance

Medieval Narratives of Alexander the Great

Transnational Texts in England and France

Romance Rewritten

The Evolution of Middle English Romance. A Tribute to Helen Cooper

Transmission of Medieval Romance

Metres, Manuscripts and Early Prints

Mélusine Romance in Medieval Europe

Translation, Circulation, and Material Contexts

Cultural Translations in Medieval Romance

Women and Magic in Medieval Romance

Genre, Intertextuality and Power

Resistance to Love in Medieval English Romance

Negotiating Consent, Gender, and Desire

Convention and the Individual in Medieval English Romance