SOAS Studies in Music – serie

Icelandic Men and Me

Sagas of Singing, Self and Everyday Life

Sounding the Dance, Moving the Music

Choreomusicological Perspectives on Maritime Southeast Asian Performing Arts

Flamenco, Regionalism and Musical Heritage in Southern Spain

Gold, Festivals, and Music in Southeast Brazil

Sounding Portugueseness

Women of Quyi

Liminal Voices and Androgynous Bodies

Music of Malaysia

The Classical, Folk and Syncretic Traditions

Musical Heritage of Al-Andalus

Music, Health, and Power

Singing the Unsayable in The Gambia

Presence Through Sound

Music and Place in East Asia

Asante Court Music and Verbal Arts in Ghana

The Porcupine and the Gold Stool

Indian Drum of the King-God and the Pakhāvaj of Nathdwara

Becoming an Irish Traditional Musician

Learning and Embodying Musical Culture

Routledge Companion to Music and Human Rights

Routledge Companion to Music and Human Rights

Musicians in Crisis

Working and Playing in the Greek Popular Music Industry

Presence Through Sound

Music and Place in East Asia

Becoming an Irish Traditional Musician

Learning and Embodying Musical Culture

Music in Conflict

Palestine, Israel and the Politics of Aesthetic Production

Music in Conflict

Palestine, Israel and the Politics of Aesthetic Production

Music Theory in the Safavid Era

The taqsīm al-naġamāt

Music as Heritage

Historical and Ethnographic Perspectives

Arnold Bake

A Life with South Asian Music

Becoming a Garamut Player in Baluan, Papua New Guinea

Musical Analysis as a Pathway to Learning

Studies on a Global History of Music

A Balzan Musicology Project

Greek Rebetiko from a Psychocultural Perspective

Same Songs Changing Minds

Jews-Harp in Britain and Ireland

Bulgarian Harmony

In Village, Wedding, and Choral Music of the Last Century

SamulNori: Korean Percussion for a Contemporary World

Performing Nostalgia: Migration Culture and Creativity in South Albania