Scriptural Traces – serie

Reception History, Tradition and Biblical Interpretation

Gadamer and Jauss in Current Practice

Paul's Letters and the Construction of the European Self

Bible and Art, Perspectives from Oceania

Politics of the Revised Version

A Tale of Two New Testament Revision Companies

Musical Illuminations of Genesis Narratives

Babel and Bible

The Impact of Mesopotamia on Biblical Studies 1872–1924

First World War and the Mobilization of Biblical Scholarship

Judas Iscariot: Damned or Redeemed

A Critical Examination of the Portrayal of Judas in Jesus Films (1902-2014)

Reading Other Peoples’ Texts

Social Identity and the Reception of Authoritative Traditions

Musical Illuminations of Genesis Narratives

Politics of Purim

Law, Sovereignty and Hospitality in the Aesthetic Afterlives of Esther

Ireland and the Reception of the Bible

Social and Cultural Perspectives

Matthew’s Account of the Massacre of the Innocents in Light of its Reception History

Patristic Perspectives on Luke’s Transfiguration

Interpreting Vision

Land Without Promise

The Roots and Afterlife of One Biblical Allusion

Bibles in Popular Cultures

Women of the Bible

From Text to Image

Women of the Bible

From Text to Image

Storytelling the Bible at the Creation Museum, Ark Encounter, and Museum of the Bible

Fan Fiction and Early Christian Writings

Apocrypha, Pseudepigrapha and Canon

Imag(in)ing Jesus in the Universal or Particular

Cross-Cultural Bible Film Reception of The Lumo Project: The Gospel of Mark and Son of Man

Bible and Comics

Women, Power and Representation in Graphic Narratives