Routledge Studies in Popular Music – serie

Hip-Hop Authenticity and the London Scene

Living Out Authenticity in Popular Music

Independent Music and Digital Technology in the Philippines

Bruce Springsteen and Popular Music

Rhetoric, Social Consciousness, and Contemporary Culture

Peak Music Experiences

A New Perspective on Popular music, Identity and Scenes

Peak Music Experiences

A New Perspective on Popular music, Identity and Scenes

Rethinking Difference in Gender, Sexuality, and Popular Music

Theory and Politics of Ambiguity

Queerness in Pop Music

Aesthetics, Gender Norms, and Temporality

Goth Music

From Sound to Subculture

Popular Music Industries and the State

Policy Notes

Reading Smile

History, Myth and American Identity in Brian Wilson and Van Dyke Parks’ Long-Lost Album

Reading Smile

History, Myth and American Identity in Brian Wilson and Van Dyke Parks’ Long-Lost Album

Sites of Popular Music Heritage

Memories, Histories, Places

Metal, Rap, and Electro in Post-Revolutionary Tunisia

A Fragile Underground

Aging and Popular Music in Europe

Global Glam and Popular Music

Style and Spectacle from the 1970s to the 2000s

Voicing Girlhood in Popular Music

Performance, Authority, Authenticity

Popular Music Fandom

Identities, Roles and Practices

Goth Music

From Sound to Subculture

Queerness in Heavy Metal Music

Metal Bent

David Bowie

Critical Perspectives

Sites of Popular Music Heritage

Memories, Histories, Places

Popular Music Industries and the State

Policy Notes

Lady Gaga and Popular Music

Performing Gender, Fashion, and Culture

Britishness, Popular Music, and National Identity

The Making of Modern Britain

Queerness in Heavy Metal Music

Metal Bent

Radiohead and the Journey Beyond Genre

Analysing Stylistic Debates and Transgressions

Places of Van Morrison’s Songwriting

Venturing in the Slipstream

Places of Van Morrison’s Songwriting

Venturing in the Slipstream

Britishness, Popular Music, and National Identity

The Making of Modern Britain