Routledge Focus on Art History and Visual Studies – serie

Post-Conflict Monuments in Bosnia and Herzegovina

Unfinished Histories

Performance, Art, and Politics in the African Diaspora

Necropolitics and the Black Body

Robert Motherwell, Abstraction, and Philosophy

Duchamp, Aesthetics and Capitalism

Jimmie Durham, Europe, and the Art of Relations

Buckminster Fuller’s World Game and Its Legacy

Post-Conflict Monuments in Bosnia and Herzegovina

Unfinished Histories

Robert Motherwell, Abstraction, and Philosophy

Contemporary Sculpture and the Critique of Display Cultures

Tainted Goods

Jimmie Durham, Europe, and the Art of Relations

World-Forming and Contemporary Art

World-Forming and Contemporary Art

Power and Fluidity of Girlhood in Henry Darger’s Art

Post-Digital Letterpress Printing

Research, Education and Practice

Post-Digital Letterpress Printing

Research, Education and Practice

Buckminster Fuller’s World Game and Its Legacy

Bodily Engagements with Film, Images, and Technology

Somavision

Bodily Engagements with Film, Images, and Technology

Somavision

Migrations, Arts and Postcoloniality in the Mediterranean

Advancing a Different Modernism

Maya Lin, Public Art, and the Confluence Project

Maya Lin, Public Art, and the Confluence Project

Contemporary Art, Systems and the Aesthetics of Dispersion

Contemporary Art, Systems and the Aesthetics of Dispersion

Duchamp, Aesthetics and Capitalism

Translation and Transgression in the Art of Shirin Neshat

Translation and Transgression in the Art of Shirin Neshat

Philosophy of Cultural Scenes in Art and Popular Culture

Philosophy of Cultural Scenes in Art and Popular Culture