Routledge Advances in Film Studies – serie

Horror Franchise Cinema

Classical Hollywood Film Cycles

Why We Remake

The Politics, Economics and Emotions of Film and TV Remakes

Philosophical Theories of Political Cinema

Hollywood Remembrance and American War

Hollywood Remembrance and American War

Film Noir and Los Angeles

Urban History and the Dark Imaginary

Trans New Wave Cinema

Trans New Wave Cinema

Indian Cinema Beyond Bollywood

The New Independent Cinema Revolution

Emotion in Animated Films

Melodrama, Self and Nation in Post-War British Popular Film

Collective Trauma and the Psychology of Secrets in Transnational Film

Affect and Embodied Meaning in Animation

Becoming-Animated

Classical Hollywood Film Cycles

Found Footage Horror Films

A Cognitive Approach

New Approaches to Cinematic Space

Post-Production and the Invisible Revolution of Filmmaking

From the Silent Era to Synchronized Sound

Melancholy Emotion in Contemporary Cinema

A Spinozian Analysis of Film Experience

Flashbacks in Film

A Cognitive and Multimodal Analysis

Flashbacks in Film

A Cognitive and Multimodal Analysis

Australian Genre Film

Love in Contemporary Cinema

Audiences and Representations of Romance

Love in Contemporary Cinema

Audiences and Representations of Romance

Breaking Down Joker

Violence, Loneliness, Tragedy

Breaking Down Joker

Violence, Loneliness, Tragedy

Hybrid Documentary and Beyond

Popular Film Music and Masculinity in Action

A Different Tune

Film Text Analysis

New Perspectives on the Analysis of Filmic Meaning