Reconfiguring Identities in the Portuguese-speaking World – serie

Battleground Bodies

Gender and Sexuality in Mozambican Literature

(Re)imagining African Independence

Film, Visual Arts and the Fall of the Portuguese Empire

Late Postcolonial Condition

Twenty-First-Century Reconfigurations in the Literatures of Portuguese-Speaking Africa

Postcolonial Nation and Narrative III: Literature & Cinema

Cape Verde, Guinea-Bissau and São Tomé e Príncipe

Voices, Languages, Discourses

Interpreting the Present and the Memory of Nation in Cape Verde, Guinea-Bissau and São Tomé and Príncipe

Beyond Binaries

Sex, Sexualities and Gender in the Lusophone World

Saramago After the Nobel

Contemporary Readings of José Saramago’s Late Works

Companion to João Paulo Borges Coelho

Rewriting the (Post)Colonial Remains

Cities of the Lusophone World

Literature, Culture and Urban Transformations

Worlds of Mia Couto

Mozambican Modern Ghost Story (1866–2006)

The Genealogy of a Genre

Indian Ocean and the Portuguese-Speaking World

Literary and Cultural Intersections

Power of the Image in the Work of Lídia Jorge

Easterly Wind

Luso-Orientalisms in Portuguese Dictatorship Films

Magic Stones and Flying Snakes

Gender and the ‘Postcolonial Exotic’ in the Work of Paulina Chiziane and Lídia Jorge

Speaking the Postcolonial Nation

Interviews with Writers from Angola and Mozambique

Narrating the Postcolonial Nation

Mapping Angola and Mozambique

Utopia in Portugal, Brazil and Lusophone African Countries

Mário de Sá-Carneiro, A Cosmopolitan Modernist

«New Portuguese Letters» to the World

International Reception