Palgrave Studies in Animals and Literature – serie

Animals in Irish Literature and Culture

Creatural Fictions

Human-Animal Relationships in Twentieth- and Twenty-First-Century Literature

Animals in Victorian Literature and Culture

Contexts for Criticism

Beyond the Human-Animal Divide

Creaturely Lives in Literature and Culture

Creatural Fictions

Human-Animal Relationships in Twentieth- and Twenty-First-Century Literature

Animals in Irish Literature and Culture

Animals in Victorian Literature and Culture

Contexts for Criticism

Animal Visions

Posthumanist Dream Writing

Writing Animals

Language, Suffering, and Animality in Twenty-First-Century Fiction

Animal Perception and Literary Language

Exploring Animal Encounters

Philosophical, Cultural, and Historical Perspectives

Animal Biography

Re-framing Animal Lives

Beastly Blake

What Is Zoopoetics?

Texts, Bodies, Entanglement

Figure of the Animal in Modern and Contemporary Poetry

Thinking Veganism in Literature and Culture

Towards a Vegan Theory

Artist as Animal in Nineteenth-Century French Literature

Artist as Animal in Nineteenth-Century French Literature

Literature and Meat Since 1900

Literature and Meat Since 1900

Novel and the Multispecies Soundscape

Novel and the Multispecies Soundscape

Birds in Eighteenth-Century Literature

Reason, Emotion, and Ornithology, 1700–1840

Birds in Eighteenth-Century Literature

Reason, Emotion, and Ornithology, 1700–1840

Gothic Animals

Uncanny Otherness and the Animal With-Out

Gothic Animals

Uncanny Otherness and the Animal With-Out

Palgrave Handbook of Animals and Literature

Imperial Beast Fables

Animals, Cosmopolitanism, and the British Empire

Imperial Beast Fables

Animals, Cosmopolitanism, and the British Empire